| Abstract | 第1-6页 |
| 摘要 | 第6-8页 |
| Chapter One Introduction | 第8-15页 |
| ·Literature Review | 第8-13页 |
| ·Research Approach | 第13页 |
| ·Purpose and Significance of the Thesis | 第13-15页 |
| Chapter Two A Musical Dialogue between Shakespeare and Later Composers | 第15-33页 |
| ·A Musical Interpretation of Romeo and Juliet | 第15-23页 |
| ·Berlioz and Shakespeare | 第16-18页 |
| ·A Musical Interpretation of the Brawling Scene | 第18-20页 |
| ·A Musical Interpretation of Loneliness and Love Scenes | 第20-23页 |
| ·A Musical Interpretation of Macbeth | 第23-33页 |
| ·Verdi and Shakespeare | 第23-26页 |
| ·A Musical Interpretation of the Witches | 第26-28页 |
| ·A Musical Interpretation of Lady Macbeth | 第28-30页 |
| ·A Musical Interpretation of King Macbeth | 第30-33页 |
| Chapter Three The Influence of Visual Arts on Music and Poetry | 第33-50页 |
| ·A Dialogue between Hieroglyph and Opera | 第33-39页 |
| ·Mozart and the Opera The Magic Flute | 第34-35页 |
| ·Musical Epigrams and Bells as Hieroglyphs | 第35-39页 |
| ·A Dialogue between Ideogram, Noh and Ezra Pound’s Poetics | 第39-50页 |
| ·Ideogram and Ezra Pound | 第39-43页 |
| ·Noh Plays and Ezra Pound | 第43-50页 |
| Chapter Four An Enlightenment of Quantum Mechanics to Modernist Poetry | 第50-60页 |
| ·Quantum Physics and Modernist Poets | 第50-53页 |
| ·Quantum Poetics | 第50-52页 |
| ·Wave—Aesthetics | 第52-53页 |
| ·Wave-Aesthetics in W. B. Yeats | 第53-60页 |
| ·The Empty Background | 第53-55页 |
| ·A Fluid Universe | 第55-60页 |
| Chapter Five Conclusion | 第60-62页 |
| Bibliography | 第62-66页 |
| 攻读学位期间取得的研究成果 | 第66-67页 |
| Acknowledgements | 第67页 |
