| Introduction | 第1-17页 |
| Chapter One Feminism and Shakespeare's Crossdressing Device | 第17-27页 |
| 1．1 Poststructuralist Feminism on Gender and Sexuality | 第18-22页 |
| 1．2 Feminism on Shakespeare's Crossdressing Device | 第22-27页 |
| Chapter Two Crossdressing and Gender Ambiguity | 第27-42页 |
| 2．1 Renaissance Gender Problems | 第28-30页 |
| 2．2 Gender Ambiguity in Crossdressing | 第30-39页 |
| 2．2．1 Masculinity in Crossdressing | 第31-34页 |
| 2．2．2 Femininity in Crossdressing | 第34-36页 |
| 2．2．3 Ambiguous Gender Identity in Crossdressing | 第36-39页 |
| 2．3 Gender Stereotypes Deconstructed | 第39-42页 |
| Chapter Three Crossdressing and Sexual Ambiguity | 第42-52页 |
| 3．1 Crossdressing & Homosexuality | 第42-50页 |
| 3．1．1 The First Love Triangle—Viola/Cesario, Olivia, Orsino | 第43-47页 |
| 3．1．2 The Second Love Triangle—Rosalind/Ganymede, Orlando, Phebe | 第47-50页 |
| 3．2 Compulsory Heterosexuality Deconstructed | 第50-52页 |
| Chapter Four Removed Crossdressing and Achieved Identity | 第52-62页 |
| 4．1 Generational Reproduction | 第52-54页 |
| 4．2 Happy Heterosexuality | 第54-57页 |
| 4．3 Achieved Identity | 第57-62页 |
| Conclusion | 第62-65页 |
| Works Cited | 第65-66页 |
