Acknowledgements | 第1-6页 |
Abstract in Chinese | 第6-7页 |
Abstract in English | 第7-9页 |
Chapter 1 Introduction | 第9-13页 |
·John Dos Passos and The 42~(nd) Parallel | 第9-10页 |
·Edgar Lawrence Doctorow and Ragtime | 第10-11页 |
·Outline of the Thesis | 第11-13页 |
Chapter 2 From Modernist to Postmodernist Narration | 第13-20页 |
·Modernism and Postmodernism | 第13-15页 |
·Modernism | 第13页 |
·Postmodernim | 第13-14页 |
·Relationship Between Modernism and Postmodernism | 第14-15页 |
·Narrative Theory | 第15-20页 |
·Introdution to Narration | 第15-17页 |
·Charateristics of Narration in Modernist and Postmodernist Novels | 第17-20页 |
Chapter 3 Similarities Between The 42~(nd) Parallel and Ragtime | 第20-34页 |
·The Narrative Content | 第20-23页 |
·The Background | 第20-21页 |
·The Subject | 第21-23页 |
·The Narrator and Narrative Points of View | 第23-26页 |
·The theory of Narrator and Narrative Points of View | 第23-24页 |
·Narrator in The 42~(nd) Parallel and Ragtime | 第24-25页 |
·Narrative Points of View in The 42~(nd) Parallel and Ragtime | 第25-26页 |
·Similarities in Narrative Technique | 第26-29页 |
·Group of Images | 第26-27页 |
·Space Formalization | 第27-29页 |
·Modernist Narrative Inspiration from Other Forms of Arts and Literature | 第29-34页 |
·Impressionist and Post-impressionist Painting | 第29-30页 |
·Film | 第30-31页 |
·Music | 第31页 |
·Drama and Poetry | 第31-34页 |
Chapter 4 Differences Between The 42~(nd) Parallel and Ragtime | 第34-44页 |
·Difference in the Basic Facet of Narration | 第34-37页 |
·The Title Analysis | 第34页 |
·Figures in The 42~(nd) Parallel | 第34-35页 |
·Figures in Ragtime | 第35-37页 |
·History and Fiction | 第37-41页 |
·The Relationship Between History and Fiction in The 42~(nd) Parallel | 第37-38页 |
·The Relationship Between History and Fiction in Ragtime | 第38-41页 |
·Differences in Narrative Technique | 第41-44页 |
·Discourse and Voice | 第41-42页 |
·The Relationship Between Reader and Novel | 第42-44页 |
Chapter 5 Conclusion | 第44-46页 |
Notes | 第46-47页 |
Bibliography | 第47-50页 |
Publications During the Postgraduate Program | 第50-51页 |