| ACKNOWLEDGEMENTS | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-11页 |
| Chapter 1 Introduction | 第11-17页 |
| ·Rationale of the Study | 第11-13页 |
| ·Key Research Questions | 第13页 |
| ·Purposes and Significance of the Study | 第13-14页 |
| ·Research Methodology and Data Collection | 第14-15页 |
| ·Organization Structure of the Thesis | 第15-17页 |
| Chapter 2 Literature Review | 第17-23页 |
| ·A General Review of Previous Researches on Poetry Translation | 第17-19页 |
| ·Relevant Studies of Translation from the CI Perspective | 第19-23页 |
| Chapter 3 A Theoretical Model for Poetic Image Transfer | 第23-43页 |
| ·Theoretical Framework—CIT | 第23-30页 |
| ·Development of CIT | 第23-26页 |
| ·The Classical CI Network | 第26-29页 |
| ·Application of CIT | 第29-30页 |
| ·A General Survey f Image | 第30-35页 |
| ·Image in the General Sense | 第30-32页 |
| ·Image in the Gestalt Sense | 第32-33页 |
| ·Individual Images,Image-G,and Poetry Translation | 第33-35页 |
| ·A Conceptual Integration Approach to Poetic Image Transfer | 第35-43页 |
| ·A New Blending Network Model for Poetic Image Transfer | 第35-38页 |
| ·The De-integration Process of Poetic Images | 第38-40页 |
| ·The Re-integration Process of Poetic Images | 第40-43页 |
| Chapter 4 Application of CIT to Poetic Image Transfer | 第43-60页 |
| ·A Case Study of Poetic Image Transfer from the Conceptual Integration Perspective | 第43-47页 |
| ·Types of Image Blending | 第47-51页 |
| ·Blending Images without Limitations of Temporal and Spatial Spaces | 第47-49页 |
| ·Blending Images with Similar Emotional Tones or Connotations | 第49-50页 |
| ·Blending Images with Contrastive Nature or Character | 第50-51页 |
| ·Major Findings and Further Discussion | 第51-60页 |
| ·Features of Poetic Image Transfer from the Conceptual Integration Perspective | 第51-53页 |
| ·Influential Factors of Poetic Image Transfer | 第53-60页 |
| Chapter 5 Conclusion | 第60-62页 |
| Reference | 第62-65页 |
| Published Papers during the Graduate Study | 第65页 |
