| Abstract | 第6页 |
| 摘要 | 第8-11页 |
| Chapter One Introduction | 第11-18页 |
| 1.1 The Introduction to James Joyce and Dubliners | 第11-15页 |
| 1.1.1 James Joyce and His Major Works | 第11-13页 |
| 1.1.2 Introduction to Dubliners | 第13-15页 |
| 1.2 The Research Goal and Significance | 第15-16页 |
| 1.3 Overall Structure of the Thesis | 第16-18页 |
| Chapter Two Literature Review | 第18-27页 |
| 2.1 Studies Abroad | 第18-22页 |
| 2.2 Studies at Home | 第22-27页 |
| Chapter Three Spatial Criticism | 第27-35页 |
| 3.1 The Origin and the Development of Spatial Criticism | 第27-31页 |
| 3.2 Henri Lefebvre’s Spatial Triad | 第31-33页 |
| 3.3 Mike Crang’s Symbolic Landscape | 第33-35页 |
| Chapter Four The Space Description and Spatial Metaphors inDubliners | 第35-54页 |
| 4.1 Outdoor Spaces | 第35-42页 |
| 4.1.1 Street—the Symbol of Depressing and Tedious Life | 第36-40页 |
| 4.1.2 Dock—the Dilemma of Choice | 第40-42页 |
| 4.2 Indoor Spaces | 第42-50页 |
| 4.2.1 Bar—the Place of Indulgence and Escape | 第42-45页 |
| 4.2.2 House—the Prison of Dreams and Freedom | 第45-47页 |
| 4.2.3 Church—the Symbol of Decaying Catholic Religion | 第47-50页 |
| 4.3 Space Shift | 第50-54页 |
| 4.3.1 From Street to Bar to House—Dream Owned to Dream Lost to Despair | 第51-52页 |
| 4.3.2 From House to Park to Bar—From Self-closed to Open-Minded to Self-Lost | 第52-54页 |
| Chapter Five The Exploration of Redemption in Dubliners | 第54-59页 |
| 5.1 Dublin in Urgency | 第54-56页 |
| 5.2 Dublin’s Redemption | 第56-59页 |
| Conclusion | 第59-61页 |
| Works Cited | 第61-63页 |
| Acknowledgements | 第63-64页 |
| Publications, Research Projects &Awards | 第64-65页 |
| Biodata | 第65页 |
