| 摘要 | 第1-5页 |
| Abstract | 第5-8页 |
| Introduction | 第8-13页 |
| A Brief Introduction to the Film Pleasant Goat and Big Big Wolf(PGBBW) | 第8页 |
| Background of the Research | 第8-9页 |
| Purpose and Significance of the Research | 第9-10页 |
| Rationale of the Present Research | 第10-12页 |
| Methodology of the Research | 第12页 |
| Organization of the Thesis | 第12-13页 |
| Chapter One Literature Review:The Previous Studies in the Film Pleasant Goat andBig Big Wolf (PGBBW) | 第13-17页 |
| ·The Aesthetic Analysis of the Film PGBBW | 第13-14页 |
| ·The Cultural Perspective of the Film PGBBW | 第14页 |
| ·The Communicational Perspective of the Film PGBBW | 第14-15页 |
| ·The Marketing's Perspective of the Film PGBBW | 第15页 |
| ·The Artistic Perspective of the Film PGBBW | 第15-16页 |
| ·Summary | 第16-17页 |
| Chapter Two The Film PGBBW as a Multimodal Discourse | 第17-28页 |
| ·An Introduction to Multimodal Discourse Analysis (MDA) | 第17-20页 |
| ·Transition from Discourse Analysis to MDA | 第17-18页 |
| ·Key Concepts of MDA | 第18-20页 |
| ·Visual Grammar and Auditory Analysis | 第20-27页 |
| ·Visual Grammar by Kress and Van Leeuwen | 第20-25页 |
| ·Auditory Analysis by Van Leeuwen | 第25-27页 |
| ·The Film PGBBW as a Filmic Discourse | 第27-28页 |
| Chapter Three The Meaning Construction of the Images in the Filmic DiscoursePGBBW | 第28-42页 |
| ·The Construction of the Representative Meaning | 第28-33页 |
| ·The Meaning Construction of the Narrative Process | 第28-30页 |
| ·The Meaning Construction of the Conceptual Process | 第30-33页 |
| ·The Construction of the Interactive Meaning | 第33-36页 |
| ·By Means of Contact | 第33-34页 |
| ·By Means of Social Distance | 第34-35页 |
| ·By Means of Attitude | 第35-36页 |
| ·The Construction of the Compositional Meaning | 第36-39页 |
| ·By Means of Information Value | 第36-38页 |
| ·By Means of Salience | 第38-39页 |
| ·By Means of Framing | 第39页 |
| ·The Contribution of Color to the Meaning Construction | 第39-40页 |
| ·Summary | 第40-42页 |
| Chapter Four The Contributions of Sound to the Filmic Discourse PGBBW | 第42-45页 |
| ·Reinforcing the Context | 第42-43页 |
| ·Reinforcing Social Distance | 第43-45页 |
| Chapter Five The Integration of Modalities in the Meaning Construction of theFilmic Discourse PGBBW | 第45-56页 |
| ·Introduction | 第45页 |
| ·The Relationship between Visual and Auditory Modalities | 第45-50页 |
| ·The Reinforced Relationship | 第46-48页 |
| ·The Non-Reinforced Relationship | 第48-50页 |
| ·The Synthetic Analysis of the Filmic Discourse PGBBW | 第50-55页 |
| ·Summary | 第55-56页 |
| Chapter Six Conclusion | 第56-58页 |
| ·Major Contributions | 第56-57页 |
| ·Limitations and Suggestions for Further Research | 第57-58页 |
| Bibliography | 第58-60页 |
| Appendix | 第60-62页 |
| Acknowledgements | 第62-63页 |
| Publications | 第63页 |
