| ACKNOWLEDGEMENTS | 第6-7页 |
| ABBREVIATIONS | 第7-8页 |
| Abstract | 第8-9页 |
| 摘要 | 第10-13页 |
| INTRODUCTION | 第13-23页 |
| CHAPTER ONE THE COLONIAL AMBIGUITIES IN THE GRASS IS SINGING | 第23-38页 |
| 1.1 Demonization and Romanticization of the Land | 第24-28页 |
| 1.2 The Stereotypes and Otherness of the Natives | 第28-33页 |
| 1.3 "Only Connect" Fails in Color Bar Crossing | 第33-38页 |
| CHAPTER TWO IMAGINED FREE WOMAN IN THE SUMMER BEFORE THEDARK | 第38-51页 |
| 2.1 Self-hatred and Self-exile in the Drifting Dreams at Present | 第39-43页 |
| 2.2 Womanhood Bondage and Maternal Responsibility in the Past | 第43-47页 |
| 2.3 Flight rather than Fight in Embracing Effacement for the Futur | 第47-51页 |
| CHAPTER THREE COMPROMISED COMMUNICATION IN THE MARRIAGESBETWEEN ZONES THREE, FOUR AND FIVE | 第51-65页 |
| 3.1 Civilizing Missions within the Enforced Marriages | 第52-56页 |
| 3.2 Price Paid and Chaos Induced by the Communication | 第56-60页 |
| 3.3 Idealized Salvation for the Civilization Clashes | 第60-65页 |
| CONCLUSION | 第65-68页 |
| WORKS CITED | 第68-73页 |
