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框架理论关照下唐代爱情诗歌英译研究

摘要第5-6页
Abstract第6页
Contents第7-8页
1. Introduction第8-10页
    1.1 The Background and the Purpose of the Study第8页
    1.2 Research Questions第8-9页
    1.3 Layout of the Thesis第9-10页
2 Literature Review第10-23页
    2.1 Frame Theory第10-12页
        2.1.1 Origin and Development of Frame Theory第10页
        2.1.2 Definition of Frame第10-11页
        2.1.3 Features of Cognitive Frames第11-12页
        2.1.4 Subframe第12页
    2.2 Culture and Frame第12-17页
        2.2.1 Definitions of Culture and Cultural Context第12-13页
        2.2.2 The Relationship between Frame and Cultural Context第13-14页
        2.2.3 Cultural Features of Frame第14-17页
    2.3 Frame and Translation第17-23页
        2.3.1 The Translation Process Based on 'Frame'第17-18页
        2.3.2 Translation through framing:A decision-making and creative activity第18-19页
        2.3.3 Frame Adjustment in Translation Process第19-21页
        2.3.4 Enlightenment from Frame Theory to Translation第21-23页
3. The Love Poetry in Tang Dynasty第23-34页
    3.1 Brief Introduction of Chinese Love Poetry第23-25页
    3.2 The Content of Chinese Love Poetry第25-28页
        3.2.1 The Expression of Love between Couples第25-26页
        3.2.2 Boudoir Poetry Concerned about Women's Issues第26-27页
        3.2.3 Poetesses' Praise of Free Love第27-28页
    3.3 The Three Representative Poets of Love Poetry in Tang Dynasty第28-34页
        3.3.1 The Brief Introduction of Du Fu第28-30页
        3.3.2 The Brief Introduction of Li Shangyin第30-32页
        3.3.3 The Brief Introduction of Li Bai第32-34页
4. Analysis of Chinese Love Poetry under Frame Theory第34-50页
    4.1 Analysis of Du Fu's Love Poetry under Frame Theory第34-38页
    4.2 Analysis of Du Fu's Another Love Poetry under Frame Theory第38-41页
    4.3 Analysis of Li Shangyin's Love Poetry under frame theory第41-45页
    4.4 Analysis of Li Bai's Love Poetry under frame theory第45-50页
5. Conclusion第50-52页
    5.1 Major Findings第50-51页
    5.2 Limitations and Suggestions for Further Study第51-52页
References第52-54页
Acknowledgements第54页

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