| Acknowledgements | 第1-4页 |
| Abstract | 第4-5页 |
| 摘要 | 第5-7页 |
| Introduction | 第7-10页 |
| Chapter 1 Theoretical Foundation | 第10-15页 |
| ·Antonio Gramsci’s cultural hegemony theory | 第10-11页 |
| ·Cultural imperialism theory | 第11-15页 |
| ·Edward Said’s cultural imperial theory | 第12-13页 |
| ·John Tomlinson’s cultural imperial theory | 第13-15页 |
| Chapter 2 The Motion Picture Industry in the United States | 第15-23页 |
| ·Overview of the US motion picture industry | 第15-16页 |
| ·The status of Hollywood and its development | 第16-20页 |
| ·The status of Hollywood in US motion picture industry | 第16-17页 |
| ·Hollywood’s historical development | 第17-20页 |
| ·The power of Hollywood in the world | 第20-23页 |
| Chapter 3 Values and Ideology Embodied in Hollywood Movies | 第23-32页 |
| ·Manifest Destiny | 第23-25页 |
| ·The origin and implications of Manifest Destiny | 第23-24页 |
| ·Manifest Destiny in Hollywood movies | 第24-25页 |
| ·Individualism and heroism | 第25-27页 |
| ·American individualism and heroism | 第25-26页 |
| ·Individualism and heroism in Hollywood movies | 第26-27页 |
| ·America: land of opportunity | 第27-32页 |
| ·Better life for all through hard work | 第27-29页 |
| ·Land of opportunity in Hollywood movies | 第29-32页 |
| Chapter 4 Different Images Portrayed in Hollywood Movies | 第32-45页 |
| ·America’s image and its role in the US diplomacy | 第32-37页 |
| ·Cooperation between Hollywood and the US government | 第32-34页 |
| ·America’s image portrayed in Hollywood movies | 第34-37页 |
| ·Other images portrayed in Hollywood movies | 第37-45页 |
| ·The image of the Chinese portrayed in Hollywood movies | 第38-40页 |
| ·The image of the Arabs portrayed in Hollywood movies | 第40-42页 |
| ·The image of the British in Hollywood movies | 第42-43页 |
| ·The image of the Japanese in Hollywood movies | 第43-45页 |
| Chapter 5 Influence of Hollywood Movies’ Exportation | 第45-47页 |
| Conclusion | 第47-48页 |
| Bibliography | 第48-50页 |
| 附件 | 第50页 |
