| Acknowledgements | 第1-6页 |
| Abstract | 第6-9页 |
| 摘要 | 第9-11页 |
| Contents | 第11-14页 |
| Introduction | 第14-17页 |
| Chapter One Literature Review | 第17-22页 |
| ·The Definition of Post-colonialism | 第17-18页 |
| ·The Historical Development of Post-colonialism | 第18-19页 |
| ·The Representatives of Post-colonialism and Their Views | 第19-22页 |
| Chapter Two Features of American Animated Films in Post-colonialism | 第22-30页 |
| ·The Relationship between Culture and Film | 第22-26页 |
| ·Culture and Film | 第22-25页 |
| ·Popular Culture and Animation | 第25-26页 |
| ·Cultural Features of American Animated Films in Post-colonialism | 第26-30页 |
| ·Internationalized Theme | 第27-28页 |
| ·Americanized Spirit and Value Standard | 第28-30页 |
| Chapter Three Cultural Essence of American Animated Film in Post-colonialism | 第30-65页 |
| ·Introduction to Pocahontas and Mulan | 第30-33页 |
| ·The main plots of Mulan and MulanⅡ | 第30-31页 |
| ·The main plots of Pocahontas and Pocahontas II | 第31-33页 |
| ·Racism in Pocahontas and Mulan | 第33-42页 |
| ·The Inherited Racism and the Other’s Image in American Animated Films | 第33-34页 |
| ·The Other’s Image of Mulan and Pocahontas | 第34-39页 |
| ·Pocahontas and Mulan Representing the East | 第39-42页 |
| ·Discourse Power in Pocahontas and Mulan | 第42-48页 |
| ·The Issue of Discourse Power in Post-colonialism | 第42-43页 |
| ·The Voice of the Oriental People in Pocahontas and Mulan | 第43-48页 |
| ·The Other’s Aphasia | 第48页 |
| ·Cultural Appropriation in Pocahontas and Mulan | 第48-58页 |
| ·The Culture Appropriation in Post-colonialism | 第49页 |
| ·Romanticism Replacing Colonial History in Pocahontas | 第49-53页 |
| ·Individualism and Feminism Replacing Chinese Traditional Culture in Mulan | 第53-58页 |
| ·Cultural Essence of American Animated Film: Cultural Hegemony | 第58-65页 |
| ·The Definition of Cultural Hegemony | 第59-60页 |
| ·The Performance of American Cultural Hegemony | 第60-62页 |
| ·The Influence and Result of American Cultural Hegemony | 第62-65页 |
| Chapter Four Causes of American Cultural Hegemony in Post-colonialism | 第65-73页 |
| ·The Historical Source--Deep-Rooted Racial Hierarchy | 第66-67页 |
| ·The Cultural Sources—Intrinsic motivation of American Cultural Hegemony | 第67-70页 |
| ·The Concept of Mission of Americans | 第68-69页 |
| ·The Awareness of Great America | 第69-70页 |
| ·The Political and Economical Sources--Realistic Foundation of American Cultural Hegemony | 第70-73页 |
| ·The Only Superpower after the Cold War | 第70-71页 |
| ·Products of the International Environment Change | 第71-73页 |
| Chapter Five Reflection to American Animated Film in Post-colonialism | 第73-83页 |
| ·Recognition of American Animated Film | 第73-75页 |
| ·Enjoying Entertainments of American Animated Film | 第73-74页 |
| ·Alerting Its Cultural Meaning in Thought and Ideology | 第74-75页 |
| ·Recognition of Chinese Culture and Its Dissemination | 第75-77页 |
| ·To Avoid Deviation of Understanding Chinese Culture | 第76-77页 |
| ·To Avoid Ignorance of Culture Dissemination and Promotion | 第77页 |
| ·Protection and Exportation of Chinese Culture | 第77-83页 |
| ·The Necessity of Protection and Possibility of Exportation | 第77-79页 |
| ·Strategies for Exporting Chinese Culture | 第79-81页 |
| ·Significance of Protection and Exportation of Chinese Culture | 第81-83页 |
| Conclusion | 第83-87页 |
| Bibliography | 第87-89页 |
| 攻读学位期间取得学术成果 | 第89页 |
