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尤金·奥尼尔的女性观的嬗变

Abstract第4页
摘要第5-7页
Introduction第7-14页
Chapter 1 Misogyny in His Early Work第14-24页
    1.1 The Definition of Misogyny第15页
    1.2 Misogyny Embodied in Before Breakfast第15-19页
        1.2.1 Shrewish Woman: Mrs. Rowland第16-17页
        1.2.2 Mrt Rowland's Disaster: Mrs.Rowland第17-19页
    1.3 The Origin of Eugene O'Neill's Misogyny第19-24页
        1.3.1 His First Wife: Lead to His Suicide第19-21页
        1.3.2 Strindberg: Women Are Sufferings第21-24页
Chapter 2 Strange Interlude:"Feminine" is "Maternal"第24-34页
    2.1 The Definition of "Feminine" is "Maternal"?第24-25页
    2.2 "Feminine" is "Maternal" in Strange Interlude第25-30页
        2.2.1 Nina's Pain:Failure in Showing Her Biological Attribute第25-27页
        2.2.2 Nursing and Motherhood : Means to Recover from Pains第27-28页
        2.2.3 Combination of Wife, lover, mother: the Final Remedy第28-30页
    2.3 The Reasons of "Feminine" Is "Maternal"第30-34页
        2.3.1 Failure in Achieving Maternal Care from His Mother第30-31页
        2.3.2 Final Mother-love and Maternity Achieved from His Third Wife第31-34页
Chapter 3 Sympathy to Woman in Long Day's Journey into Night第34-46页
    3.1 Exposing Men's Selfishness in Patriarchal Society第35-40页
        3.1.1 Denied Wishes of Mary Tyrone第35-37页
        3.1.2 Selfish Aim under Men's Caring第37-40页
    3.2 Sympathy to Mary Tyrone第40-44页
        3.2.1 Mary's Illusion to Be a Nun in Convent第41-43页
        3.2.2 Meaning of Using Mary as the Heroine's Name第43-44页
    3.3 The Reasons for Sympathy towards Woman第44-46页
        3.3.1 Evolving Social Background第44-45页
        3.3.2 Forgiving His Mother第45-46页
Conclusion第46-47页
Bibliography第47-50页
Acknowledgements第50页

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