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共生:阿特伍德小说与诗歌互文关系研究--以《盲刺客》和《吃火》为例

Acknowledgements第5-6页
摘要第6-8页
Abstract第8-9页
List of Abbreviations第10-13页
Chapter 1 Introduction第13-22页
    1.1 Introduction to Atwoodian Studies第13-16页
    1.2 Introduction to The Blind Assassin and Eating Fire第16-17页
    1.3 Literature Review第17-20页
    1.4 Thesis Statement and Structure第20-22页
Chapter 2 Intertextuality and Critical Approaches第22-32页
    2.1 Existing Researches and Double Insistence第23-25页
    2.2 Intratextuality of Hetero-generic Works of One Single Author第25-32页
        2.2.1 Validities and Values第26-27页
        2.2.2 Approaches第27-32页
Chapter 3 Generic Intratextuality第32-54页
    3.1 Poetic Discourse in The Blind Assassin第32-42页
        3.1.1 Rhythmic Beauty第33-35页
        3.1.2 Poetic Citations第35-39页
        3.1.3 Poetic Narration第39-42页
    3.2 Fictional Discourse in Eating Fire第42-52页
        3.2.1 Prosaic Structure第43-44页
        3.2.2 Prosaic Language第44-48页
        3.2.3 Fictional Narrative第48-52页
    3.3 Generic Assimilation and Signifying System第52-54页
Chapter 4 Imagery Intratextuality第54-73页
    4.1 Imitative Intratextuality of Images第54-63页
        4.1.1 Hand第55-60页
        4.1.2 Ghost第60-63页
    4.2 Derivative Intratextuality of Images第63-66页
        4.2.1 Hand第63-65页
        4.2.2 Ghost第65-66页
    4.3 Subversive Intratextuality of Image: Fire第66-73页
        4.3.1 "Fire" in Eating Fire第67-69页
        4.3.2 "Fire" in The Blind Assassin第69-73页
Chapter 5 Thematic Intratextuality第73-90页
    5.1 Imitative Intratextuality in Themes第73-83页
        5.1.1 Female Plight第74-79页
        5.1.2 Female Revolt第79-83页
    5.2 Derivative Intratextuality in Themes第83-90页
        5.2.1 Problematizing Feminism: Predatory Females第84-85页
        5.2.2 Social Prison: Publicly Gazed Object第85-87页
        5.2.3 Linguistic Subversion: Body Writing第87-90页
Chapter 6 Conclusion第90-93页
Bibliography第93-98页
Papers Published During the Study for M. A. Degree第98页

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