| Abstract in Chinese | 第1-6页 |
| Abstract in English | 第6-7页 |
| Preface in Chinese | 第7-12页 |
| Introduction | 第12-18页 |
| Ⅰ. A Brief Account of John Osborne | 第12-13页 |
| Ⅱ. The Plot of Look Back in Anger | 第13-14页 |
| Ⅲ. Previous Critical Studies of Look Back in Anger both at Home and Abroad | 第14-16页 |
| Ⅳ. My Approach to Look Back in Anger - New Historicism | 第16-18页 |
| Chapter Ⅰ. An Introduction to New Historicism | 第18-24页 |
| Ⅰ. The Rise of New Historicism | 第18-20页 |
| ⅰ. A reaction to old historicism and Formalism | 第18-19页 |
| ⅱ. Being influenced by many other theories | 第19-20页 |
| Ⅱ. Major Theories of New Historicism | 第20-24页 |
| ⅰ. Historicity of text and textuality of history | 第20-22页 |
| ⅱ. Work of art - a product of negotiation between its creator and the historical context | 第22-24页 |
| Chapter Ⅱ. Look Back in Anger - The Product of Osborne's Negotiation with the Historical Context | 第24-33页 |
| Ⅰ. The Dynamic Role Osborne Played in Creating Look Back in Anger | 第24-28页 |
| ⅰ. Autobiographic elements | 第24-27页 |
| ⅱ. Distinctive style | 第27-28页 |
| Ⅱ. The Submissive Role Osborne Played in Creating Look Back in Anger | 第28-33页 |
| ⅰ. Conventional form | 第28-31页 |
| ⅱ. Intertextuality with Hamlet and plays about perverse marriage | 第31-33页 |
| Chapter Ⅲ. Look Back in Anger - A Realistic Representation of the Postwar Britain | 第33-42页 |
| Ⅰ. A Brief Account of the Political and Social Background of the Postwar Britain | 第33-35页 |
| Ⅱ. Reference to Political and Social Events of the Postwar Britain in Look Back in Anger | 第35-36页 |
| Ⅲ. Characters in Look Back in Anger: Typical Figures of the Postwar Britain | 第36-39页 |
| ⅰ. Jimmy and Hugh | 第36-37页 |
| ⅱ. Alison and Helena | 第37-38页 |
| ⅲ. Cliff and Hugh's mother | 第38页 |
| ⅳ. Colonel Redfern | 第38-39页 |
| Ⅳ. Jimmy's Anger -- Anger of Many Postwar British Young Men | 第39-42页 |
| Chapter Ⅳ. The Historical Power of Look Back in Anger | 第42-48页 |
| Ⅰ. Dramatic Level | 第42-46页 |
| ⅰ. Initiating "the New Drama" | 第42-44页 |
| ⅱ. Playing a role in founding various British theatres | 第44-45页 |
| ⅲ. Dramatic impact overseas | 第45-46页 |
| Ⅱ. Cultural Level | 第46-48页 |
| Chapter Ⅴ. Conclusion | 第48-50页 |
| Works Cited &Consulted | 第50-51页 |
