| Introduction | 第1-14页 |
| Chapter 1:Bakhtin and His Dialogism | 第14-25页 |
| 1．1． Bakhtinand His Thoughts | 第14-15页 |
| 1．2． The Meaning of Dialogism | 第15-20页 |
| 1．2．1． The“I”-“you”author-character relatiohship | 第16-17页 |
| 1．2．2． Multivoicedness in a polyphonic novel | 第17-19页 |
| 1．2．3． The unfinishedness of a polyphonic novel | 第19页 |
| 1．2．4． Dialogism,a new mode of artistic thinking | 第19-20页 |
| 1．3． The paradigms of dialogism applied in literary works | 第20-25页 |
| Chapter 2:Dialogicality in Beloved | 第25-60页 |
| 2．1． Thestory of Beloved | 第25-28页 |
| 2．2． Dialog with literary history:slave narrative | 第28-33页 |
| 2．3． Belovedas a dialogic novel | 第33-60页 |
| 2．3．1． MicrodialoginBeloved | 第35-37页 |
| 2．3．2． GreatdialoginBeloved | 第37-60页 |
| 2．3．2．1． VoiceofSethe,marginalizedvoiceputtothecent ofdiscourse | 第38-45页 |
| 2．3．2．2． VoiceofBeloved:voicesofthose“unaccounted anddisremembered” | 第45-49页 |
| 2．3．2．2．1． Survivorofthemiddlepassage | 第45-47页 |
| 2．3．2．2．2． Prisonerofwhiteman'ssexualpurpose | 第47-48页 |
| 2．3．2．2．3． Sethe'sdaughter | 第48-49页 |
| 2．3．2．3． VoiceofPaulD:anefforttogainhismanhood | 第49-52页 |
| 2．3．2．4． VoiceofSixo:acontendingvoicetothemanhoodof PaulD | 第52-56页 |
| 2．3．2．5． Battlingvoicesfromthewhiteandtheblack | 第56-58页 |
| 2．3．2．6． Contendingvoicesfromwithintheblacks | 第58-60页 |
| Chapter 3:Dialogicality in Paradise | 第60-77页 |
| 3．1． Great dialog in Paradise:dialog between Ruby and the Convent | 第60-72页 |
| 3．1．1． Ruby,a patriarchal utopia | 第62-66页 |
| 3．1．2． The Convent,a matriarchal utopia | 第66-69页 |
| 3．1．3． Dialog between Ruby and the Convent | 第69-72页 |
| 3．2． Micro-dialog:conflicting self,undetermined human nature | 第72-77页 |
| 3．2．1． Double voicedness | 第73-74页 |
| 3．2．2． The characters' inner conflict | 第74-77页 |
| Conclusion | 第77-80页 |
| Notes | 第80-82页 |
| Bibliography | 第82-86页 |
