| Acknowledgements | 第1-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第7-9页 |
| Ⅰ Introduction | 第9-14页 |
| ·Autobiography of Eugene O’Neill | 第9-11页 |
| ·Artistic features of Eugene O’Neill | 第11-12页 |
| ·Outline of the thesis | 第12-14页 |
| Ⅱ Literature Review | 第14-20页 |
| ·Studies of Eugene O’Neill and his dramas abroad | 第14-18页 |
| ·Early studies of Eugene O’Neill and his works | 第14-15页 |
| ·Late studies of Eugene O’Neill and his works | 第15-17页 |
| ·Disputes on Eugene O’Neill’s achievement on drama | 第17-18页 |
| ·Domestic studies of Eugene O’Neill and his dramas | 第18-20页 |
| Ⅲ Lacan’s “Mirror Stage”Theory and Intrinsic Relationship of Lacan and Eugene O’Neill | 第20-29页 |
| ·Lacan’s “Mirror Stage”theory | 第20-23页 |
| ·Experimental foundation of Lacan’s “Mirror Stage”theory | 第20-21页 |
| ·Develpoment and perfection of Lacan’s “Mirror Stage”theory | 第21-23页 |
| ·Intrinsic relationship of Lacan and Eugene O’Neill | 第23-29页 |
| ·Times’influence on Eugene O’Neill | 第24-25页 |
| ·Personal experiences’influence on Eugene O’Neill | 第25-29页 |
| Ⅳ Conflicts between Image and Self in Eugene O’Neill’s Dramas | 第29-45页 |
| ·Bankrupted original image | 第30-36页 |
| ·Subject’s spiritual belonging | 第36-39页 |
| ·Self-salvation of alienated subject | 第39-45页 |
| Ⅴ Conclusion | 第45-47页 |
| Bibliography | 第47-50页 |
| Appendix | 第50-51页 |
| Papers Published during MA Program | 第51页 |
