| Acknowledgments | 第5-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第8-12页 |
| Introduction | 第12-23页 |
| 0.1 Toni Morrison and Her Literary Creations | 第12-16页 |
| 0.2 Literature Review | 第16-20页 |
| 0.3 Purpose and Significance of the Study | 第20-21页 |
| 0.4 Structure of the Thesis | 第21-23页 |
| Chapter One Overview of Bhabhaian Postcolonial Theory | 第23-31页 |
| 1.1 Origin and Development of Postcolonial Theory | 第23-26页 |
| 1.2 Major Ideas of Bhabhaian Postcolonial Theory | 第26-30页 |
| 1.2.1 Mimicry | 第27-28页 |
| 1.2.2 Hybridity | 第28-30页 |
| 1.3 Significance of Bhabhaian Postcolonial Theory | 第30-31页 |
| Chapter Two Submission and Destruction: Pecola’s Unsuccessful CulturalIdentity Reconstruction in The Bluest Eye | 第31-44页 |
| 2.1 Pecola?s Self-Schizophrenic Mimicry | 第31-35页 |
| 2.2 Pecola?s Blind Submission to Patriarchy | 第35-40页 |
| 2.2.1 Distorted Paternal Love | 第35-39页 |
| 2.2.2 Alinated Maternal Love | 第39-40页 |
| 2.3 Pecola?s Estrangement from Black Community | 第40-44页 |
| Chapter Three Resistance and Rebirth: Milkman’s Incomplete Cultural IdentityReconstruction in Song of Solomon | 第44-60页 |
| 3.1 Milkman?s Initiative Resistance and Self-Introspection | 第45-52页 |
| 3.2 Milkman?s Identification with Black Cultural Heritage | 第52-58页 |
| 3.2.1 Deciphering the Flying Myth | 第53-55页 |
| 3.2.2 Decoding Blues Music | 第55-58页 |
| 3.3 Milkman?s Fusion with Black Community | 第58-60页 |
| Chapter Four Integration and Transcendence: Sethe’s Hybrid Cultural IdentityReconstruction in Beloved | 第60-73页 |
| 4.1 Sethe?s Self-Redemption and Spiriual Awakening | 第61-66页 |
| 4.1.1 Physical Resistance to Slavery | 第61-63页 |
| 4.1.2 Psychological Reconciliation with Intrnsic Trauma | 第63-66页 |
| 4.2 Sethe?s Reconfiguration of Historical Memory | 第66-70页 |
| 4.3 Sethe?s Negotiation with Black Community | 第70-73页 |
| Conclusion | 第73-76页 |
| References | 第76-81页 |
| About the Author | 第81页 |
