| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Chapter Ⅰ Introduction | 第9-12页 |
| 1.1 Purpose of the Research | 第9-10页 |
| 1.2 Significance of the Research | 第10-11页 |
| 1.3 Structure of the Thesis | 第11-12页 |
| Chapter Ⅱ Literature Review | 第12-41页 |
| 2.1 Studies on the Cooperative Principle | 第12-19页 |
| 2.1.1 An Introduction to the Cooperative Principle | 第12-14页 |
| 2.1.2 Researches of the Cooperative Principle | 第14-18页 |
| 2.1.3 Research Significance of the Cooperative Principle | 第18-19页 |
| 2.2 Studies on the Politeness Principle | 第19-27页 |
| 2.2.1 The Origination of Politeness | 第19页 |
| 2.2.2 An Introduction to the Politeness Principle | 第19-21页 |
| 2.2.3 Researches of the Politeness Principle | 第21-26页 |
| 2.2.4 Research Significance of Politeness Principle | 第26-27页 |
| 2.3 The relationships between the Cooperative Principle and the Politeness Principle | 第27-28页 |
| 2.4 Concept of Cultural Values | 第28-33页 |
| 2.4.1 Individualism and Collectivism | 第29-30页 |
| 2.4.2 Privacy | 第30-31页 |
| 2.4.3 Modesty and Self-denigration | 第31-32页 |
| 2.4.4 Indirectness | 第32页 |
| 2.4.5 Equality | 第32-33页 |
| 2.5 Description and Evaluation of the Empirical Studies of Cooperative Principle and Politeness Principle | 第33-40页 |
| 2.5.1 The Extensiveness of the Research | 第33-37页 |
| 2.5.2 The Diversity of Research Methodologies | 第37-40页 |
| 2.6 Summary | 第40-41页 |
| Chapter Ⅲ Research Methodology | 第41-46页 |
| 3.1 Research Questions | 第41-42页 |
| 3.2 Materials | 第42-43页 |
| 3.2.1 Selected Materials | 第42页 |
| 3.2.2 An Introduction to Britain's Got Talent | 第42-43页 |
| 3.2.3 An Introduction to China's Got Talent | 第43页 |
| 3.3 Instruments | 第43-44页 |
| 3.4 Data-Collection | 第44-46页 |
| Chapter Ⅳ Results and Discussion | 第46-80页 |
| 4.1 Results and Analysis of the Research | 第46-72页 |
| 4.1.1 Quantitative Analysis of the Judges and the Contestants' Conversations of China's Got Talent and Britain's Got Talent from the Perspective of the CP | 第46-49页 |
| 4.1.2 Qualitative Analysis of the Judges and the Contestants' Conversations of China's Got Talent and Britain's Got Talent from the Perspective of the CP | 第49-55页 |
| 4.1.3 Quantitative Analysis of the Judges and the Contestants' Conversations between China's Got Talent and Britain's Got Talent from the Perspective of the PP | 第55-59页 |
| 4.1.4 Qualitative analysis of the judges and the contestants' conversations between China's Got Talent and Britain's Got Talent from the perspective of the PP | 第59-66页 |
| 4.1.5 Conversations violating the maxims of both the CP and the PP | 第66-67页 |
| 4.1.6 Conversations observing the maxims of the PP by sacrificing the CP | 第67-68页 |
| 4.1.7 Relationships between the conversations of the CGT and those of the BGT in applying the CP and the PP | 第68-72页 |
| 4.2 Discussion of the Research | 第72-79页 |
| 4.2.1 Similarities and differences of the CP and the PP in the conversations of CGT and BGT under Chinese and British Cultural Backgrounds | 第72-79页 |
| 4.3 Summary | 第79-80页 |
| Chapter Ⅴ Conclusion | 第80-85页 |
| 5.1 Major Findings | 第80-82页 |
| 5.2 Implications | 第82-83页 |
| 5.2.1 Theoretical Implications | 第82-83页 |
| 5.2.2 Practical Implications | 第83页 |
| 5.2.3 Methodological Implications | 第83页 |
| 5.3 Limitations and Recommendations for Future Researches | 第83-84页 |
| 5.4 Summary | 第84-85页 |
| Bibliography | 第85-88页 |
| Acknowledgements | 第88页 |
