| ACKNOWLEDGEMENTS | 第1-4页 |
| CHINESE ABSTRACT | 第4-10页 |
| 1． INTRODUCTION | 第10-16页 |
| 2． A SURVEY OF THE HISTORY OF E/C VERSE TRANSLATION | 第16-35页 |
| 2．1． The Originating Period--Before the May 4~（th） New Literature Movement Around 1919 | 第21-25页 |
| 2．2． The Developing Period-From around 1919 to 1949 | 第25-30页 |
| 2．3． The Maturing Period--From 1949 to 1966 | 第30-33页 |
| 2．4． The Flourishing Period--After the Cultural Revolution | 第33-35页 |
| 3． ON THE METHOD OF RENDERING ENGLISH METRICAL POETRY INTO CLASSICAL CHINESE VERSE | 第35-52页 |
| 3．1． Specific Arguments for and against the Method | 第36-41页 |
| 3．1．1． Arguments for the Method | 第36-39页 |
| 3．1．2． Arguments against the Method | 第39-41页 |
| 3．2． Analyses of some typical translations | 第41-48页 |
| 3．3． Brief Summary | 第48-52页 |
| 4． ON THE METHOD OF RENDERING ENGLISH METRICAL POETRY INTO PROSE | 第52-65页 |
| 4．1． Attitudes toward the Method of Prose Translation | 第52-56页 |
| 4．1．1． Majority Attitude toward It | 第52-54页 |
| 4．1．2． Minority Attitude toward It | 第54-56页 |
| 4．2． Personal Reflections on the Method of Rendering English Metrical Poetry into Prose | 第56-62页 |
| 4．2．1． Why Is Form So Important for a Poem, Especially a Metrical One | 第56-57页 |
| 4．2．2． Why Do Some Prose Translations Seem So ”Successful” in China | 第57-62页 |
| 4．3． Brief Summary | 第62-65页 |
| 5． ON THE METHOD OF RENDERING ENGLISH METRICAL POETRY INTO FREE OR SEMI-FREE VERSE IN BAIHUA | 第65-78页 |
| 5．1． Preliminary Knowledge about Free and Semi-free Verse in Baihua | 第65-69页 |
| 5．1．1． About Their Definitions | 第65-66页 |
| 5．1．2． About the Rhythm Unit of Baihua Poetry | 第66-69页 |
| 5．1．2．1． The Putting Forward of the Concept of Dun | 第66-67页 |
| 5．1．2．2． Dun and Pause | 第67-68页 |
| 5．1．2．3． The Feasibility of Dun | 第68-69页 |
| 5．2． Theory Introduction and Translation Analysis | 第69-76页 |
| 5．2．1． Major Thoughts of Translators Preferring the Method | 第69-71页 |
| 5．2．2． Translation Analysis | 第71-76页 |
| 5．3． Brief Summary | 第76-78页 |
| 6． ON THE METHOD OF RENDERING ENGLISH METRICAL POETRY INTO BAIHUA METRICAL VERSE | 第78-94页 |
| 6．1． The Putting Forward of the Idea of Baihua Metrical Verse | 第78-80页 |
| 6．2． The Lenient School | 第80-83页 |
| 6．3． The Strict School | 第83-93页 |
| 6．3．1． The Maintenance of the Original Rhythm | 第84-88页 |
| 6．3．2． The Reproduction of the Origina1 Rhyme | 第88-91页 |
| 6．3．3． The Princip1e of ”Re1ative Strictness” | 第91-93页 |
| 6．4． Brief Summary | 第93-94页 |
| 7． CONCLUSIONS | 第94-107页 |
| 7．1． Tasks of Poetry Translation | 第94-96页 |
| 7．2． Standards in Poetry Translation | 第96-97页 |
| 7．3． Suggestions for the Selection of a Better Rendering Method in E C Metrical Poetry Translation | 第97-99页 |
| 7．4． Persistencc in a Dialectic Way of Viewing the Problem | 第99-107页 |
| BIBLIOGRAPHY | 第107-111页 |
