| Acknowledgements | 第1-3页 |
| Abstract | 第3-4页 |
| 摘要 | 第4-6页 |
| Introduction | 第6-9页 |
| Chapter One Characteristics of Images of Chinese People at Different Times | 第9-34页 |
| ·The 1890s—1937: Discrimination | 第9-15页 |
| ·Opposite Images of Chinese People | 第10-12页 |
| ·Representatives of Chinese Characters | 第12-15页 |
| ·1937 — 1949: Recognition | 第15-17页 |
| ·1949 — 1972: Hostility and Assimilation | 第17-23页 |
| ·Hostility | 第17-19页 |
| ·Assimilation | 第19-23页 |
| ·1972 — present: Diversified Representation | 第23-34页 |
| ·The Era of Bruce Lee | 第23-26页 |
| ·Diversified Portrayal of Chinese People in the 1980s and 1990s | 第26-31页 |
| ·New Developments in the 21stCentury | 第31-34页 |
| Chapter Two Impact of China-US Relations on Hollywood Imaging of Chinese People | 第34-43页 |
| ·Film and Soft Power | 第34-36页 |
| ·Interdependence between Hollywood and US government | 第36-38页 |
| ·Hollywood and China-US Relations | 第38-43页 |
| ·Dr. Fu Manchu — the Barometer of the China-US Relationship | 第38-40页 |
| ·The Good Earth | 第40-42页 |
| ·The Manchurian Candidate | 第42-43页 |
| Chapter Three Commercial Interests at Play | 第43-53页 |
| ·Commercial Nature of Hollywood | 第43-44页 |
| ·Hollywood’s Pursuit of Maximum Profit | 第44-47页 |
| ·Shrinking Domestic Market | 第47-48页 |
| ·Growing Chinese Market | 第48-53页 |
| Conclusion | 第53-55页 |
| Bibliography | 第55-59页 |
| Appendix List of Hollywood Films Referred to | 第59-62页 |
