| 摘要 | 第2-3页 |
| Abstract | 第3页 |
| Introduction | 第5-16页 |
| Literature Review | 第10-12页 |
| Research Questions | 第12-13页 |
| Methodology | 第13-14页 |
| Organization of Thesis | 第14-16页 |
| Chapter 1 Intertextuality and Identity: Michael Ondaatje's The English Patient | 第16-21页 |
| 1.1 Intertextuality Revealing the Stripping Away of Identity | 第16-18页 |
| 1.2 Religion and its Effect on Identity | 第18-19页 |
| 1.3 Unity under Imperialism: The Effect on Identity | 第19-21页 |
| Chapter 2 Intertextuality and Identity in Derek Walcott's Pantomime | 第21-30页 |
| 2.1 Walcott's Utilization of Intertextuality to Provide a Counter-Colonial Discourse | 第21-24页 |
| 2.2 "Slavery" and the Erasing of Identity | 第24-26页 |
| 2.3 Writing Back to the Empire Through the Use of Language | 第26-30页 |
| Chapter 3 Intertextuality as a Tool to Raise the Consciousness of Identity in Jean Rhys' Wide Sargasso Sea | 第30-43页 |
| 3.1 Bertha Mason of Thornfield Hall vs Antoinette Cosway of the Attic | 第30-33页 |
| 3.2 Antoinette's Experience of Alterity as It Relates to Her Demise | 第33-35页 |
| 3.3 The Colonization of Antoinette and the Rewriting of Her Identity | 第35-43页 |
| Conclusion | 第43-45页 |
| Major Findings | 第43-44页 |
| Limitations | 第44-45页 |
| References | 第45-46页 |
| Glossary | 第46-49页 |
| Acknowledgements | 第49-51页 |
