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新历史主义视角下的《愤怒的葡萄》分析

摘要第5-6页
Abstract第6页
Contents第8-9页
Introduction第9-20页
    0.1 John Steinbeck and The Grapes of Wrath第9-11页
    0.2 Literature Review第11-13页
    0.3 Major Theories of New Historicism第13-19页
    0.4 Outline of the Thesis第19-20页
Chapter 1 Historicity of the Novel: the Historical Meaning of The Grapes of Wrath第20-26页
    1.1 ARealistic Recording of the Great Depression第20-22页
    1.2 AnAuthentic Description of the Dust Bowl第22-23页
    1.3 AFaithful Reflection of the Okie Migration第23-26页
Chapter 2 Textuality of the Novel’s History: the Textual Representation of the History第26-36页
    2.1 Different Histories Constructed in The Grapes of Wrath第26-30页
        2.1.1 History Constructed by Readers of Steinbeck’sAge第27-28页
        2.1.2 History Constructed by Modern Readers第28-30页
    2.2 Typical Characters Interpreted in the Construction of History第30-36页
        2.2.1 Tom Joad and Jim Casy—the Symbol of Rebellion Spirit第30-33页
        2.2.2 Ma and Rose of Sharon—the Goodness of Human Nature第33-36页
Chapter 3 The Subversion and Containment of the Prevailing Ideology in The Grapes of Wrath第36-44页
    3.1 The Subversion of the Prevailing Ideology in the novel第37-42页
        3.1.1 Tom and Casy’s Subversion toward the Capitalism第38-39页
        3.1.2 Ma’s Subversion toward the Patriarchy第39-42页
    3.2 The Containment of Subversion in the novel第42-44页
Conclusion第44-46页
Notes第46-47页
References第47-51页
Appendix 详细中文摘要第51-54页
Acknowledgements第54页

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