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论爱丽丝·默多克《黑王子》的非线性叙述技巧

Abstract第5页
摘要第6-8页
Chapter One Introduction第8-15页
    1.1 Introduction to Iris Murdoch and The Black Prince第8-10页
    1.2 An Overview of the Studies Abroad and in China第10-15页
Chapter Two Theoretical Framework第15-20页
    2.1 Nonlinear Narrative Techniques第15-16页
    2.2 Circular Narrative Structure第16-17页
    2.3 Genette’s Narrative Time of Narratology第17-20页
Chapter Three Circular Narrative Structure in The Black Prince第20-31页
    3.1 Circulation of Form第20-22页
        3.1.1 Plots of Bradley’s Story第20-22页
        3.1.2 The First and the Last Part of the Whole Book第22页
    3.2 Circulation of Bradley’s Psychology第22-28页
        3.2.1 Attitude Change towards Arnold's Works第22-23页
        3.2.2 Change of Bradley's Love第23-27页
        3.2.3 Bodily Freedom to Spiritual Freedom第27-28页
    3.3 Effects of Circular Narrative第28-31页
        3.3.1 Significance to the Theme第28-30页
        3.3.2 Significance to Improve the Structure第30-31页
Chapter Four Nonlinear Narrative Time in The Black Prince第31-41页
    4.1 Order of Time: Flashback第31-32页
    4.2 Duration of Time第32-41页
        4.2.1 Narrative Summary of Introduction of the Story第33-34页
        4.2.2 Narrative Ellipsis of Useless Events第34-36页
        4.2.3 Narrative Pause on Description第36-38页
        4.2.4 Narrative Scene of the Dialogue第38-41页
Chapter Five Narrative Perspective in The Black Prince第41-54页
    5.1 Three Levels of Narrative第41-48页
        5.1.1 Super-Narrative第42-44页
        5.1.2 Main Narrative第44-45页
        5.1.3 Sub-Narrative第45-48页
    5.2 Effects of Multi-level Narrative Perspective第48-54页
        5.2.1 Uncertainty of the Novel第48-51页
        5.2.2 Three Women’s Plights and Their Attitudes第51-54页
Chapter Six Conclusion第54-57页
Bibliography第57-61页
Acknowledgements第61页

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