| Introduction | 第1-12页 |
| Chapter One: Black Musicians Won Respect and Fame | 第12-26页 |
| ·Bitter Experience of the Black Musicians | 第12-17页 |
| ·Experience of Black Musicians before the Swing Era | 第12-15页 |
| ·Harsh Conditions in the Swing Era | 第15-17页 |
| ·Black Musicians Won Recognition | 第17-26页 |
| ·Jam Session | 第17-19页 |
| ·Struggle of Black Musicians | 第19-23页 |
| ·Step onto the Road to Success | 第23-26页 |
| Chapter Two: Black Musicians and the Swing Era | 第26-47页 |
| ·Black Musicians and the Political Left | 第26-38页 |
| ·Popular Front | 第26-28页 |
| ·John Hammond- Number One Swing Man | 第28-30页 |
| ·Black Musicians’ Alliance with the Popular Front | 第30-38页 |
| ·Black Musicians and the Second New Deal Era | 第38-47页 |
| ·Swing Populism-the “Common Man” Ideology | 第39-42页 |
| ·Revolt of Black Musicians | 第42-47页 |
| Chapter Three: Decline and Significance of Swing | 第47-59页 |
| ·Decline of the Swing | 第47-52页 |
| ·Significance of Swing | 第52-59页 |
| ·Significance on Music | 第52-54页 |
| ·Social and Political Significance | 第54-59页 |
| Conclusion | 第59-62页 |
| Bibliography | 第62-65页 |
