首页--语言、文字论文--常用外国语论文--英语论文--写作、修辞论文--翻译论文

认知模式观照下闻一多诗歌英译中绘画美的再现

Abstract第4-7页
摘要第8-14页
Introduction第14-22页
Chapter 1 Three Cognitive Models第22-40页
    1.1 Brief Introduction to Three Cognitive Models第22-28页
        1.1.1 Charles Fillmore's Scenes-and-Frames Semantics第22-25页
        1.1.2 Ronald Langacker's Figure/Ground Alignment第25-28页
        1.1.3 Roger Schank's Thematic Organization Points第28页
    1.2 Functions of Cognitive Models in Translation第28-40页
        1.2.1 Text Analysis第29-31页
        1.2.2 Text Reproduction第31-37页
        1.2.3 Translation Evaluation第37-40页
Chapter 2 Painting Beauty of Poetry第40-76页
    2.1 Interpretation of "Painting Beauty"第40-49页
        2.1.1 "Painting Beauty" Put forward by Wen Yiduo第40-43页
        2.1.2 Misunderstandings of "Painting Beauty"第43-46页
        2.1.3 Clarification of "Painting Beauty"第46-49页
    2.2 Manifestation of Painting Beauty in Poems第49-64页
        2.2.1 Main Aspects of the Manifestation第50-57页
        2.2.2 Other Aspects of the Manifestation第57-64页
    2.3 Painting Beauty in Wen Yiduo's Poems第64-76页
        2.3.1 Colors第64-67页
        2.3.2 Visions第67-71页
        2.3.3 Lines第71-76页
Chapter 3 Roles of the Three Cognitive Models in the Reproduction of Painting Beauty in Poems第76-88页
    3.1 Scenes-and-Frames Semantics and Faithful Reproduction of Painting Beauty第77-80页
    3.2 Figure/Ground Alignment and Change of Focus in the Reproduction of Painting Beauty第80-83页
    3.3 Thematic Organization Points and Compensatory Reproduction of Painting Beauty第83-88页
Chapter 4 Reproduction of Painting Beauty in the English Translation of Wen Yiduo's Poems第88-126页
    4.1 Reproduction of Colors第88-97页
        4.1.1 Reproduction of Natural Colors第89-92页
        4.1.2 Reproduction of Emotional Colors第92-97页
    4.2 Reproduction of Visions第97-110页
        4.2.1 Reproduction of the Vision of "Love"第98-102页
        4.2.2 Reproduction of the Vision of "Death"第102-106页
        4.2.3 Reproduction of the Vision of "Life"第106-110页
    4.3 Reproduction of Lines第110-126页
        4.3.1 Reproduction of Straight Lines第111-116页
        4.3.2 Reproduction of Curved Lines第116-120页
        4.3.3 Reproduction of Broken Lines第120-126页
Conclusion第126-130页
Bibliography第130-134页
Acknowledgements第134-136页

论文共136页,点击 下载论文
上一篇:中国近代美术教育的开端--论二十世纪初期日本美术教育对中国的影响
下一篇:邱志杰“总体艺术”实践与理论的相关探讨