| Introduction | 第1-19页 |
| Chapter One John Donne and The Metaphysica1 Poetry | 第19-22页 |
| 1．1 The Metaphysical Poetry-a Misnomer | 第19-20页 |
| 1．2 John Donne And The Poetry of Donne | 第20-22页 |
| Chapter Two Features of The Metaphysical Conceit | 第22-35页 |
| 2．1 Defining The Metaphysical conceits | 第22页 |
| 2．2 The Petrarchan Tradition | 第22-25页 |
| 2．3 The Donnean Tradition | 第25-27页 |
| 2．4 The Metaphysical Conceit in its Condensed or Extended Form | 第27-35页 |
| Chapter Three Discordia Concors: Imagery in the Metaphysica1 Conceits | 第35-54页 |
| 3．1． Background for the Amalgamation of Imagery into the Metaphysical Conceit | 第35-38页 |
| 3．2 Imagery in the Metaphysical Conceit | 第38-47页 |
| 3．3 Dramatic Elements in the Imagery of the Metaphysical Conceit | 第47-54页 |
| Chapter Four From Discordia Concors to ”Unified Sensibi1ity: The Rise and Fa11 of the Metaphysica1 Conceit | 第54-65页 |
| 4．1 Discordia Concors or Unified Sensibility: The Nature of Disputes over the Metaphysical Conceit | 第55-61页 |
| 4．2 The Metaphysical Conceit after Eliot | 第61-65页 |
| Conc1usion | 第65-67页 |
| Bibliography | 第67-68页 |
