| 摘要 | 第5-7页 |
| Abstract | 第7-8页 |
| Chapter One Introduction | 第11-20页 |
| 1.1 Research Background of the Study | 第11-12页 |
| 1.2 Literature Review on The Picture of Dorian Gray | 第12-17页 |
| 1.3 Significance of the Research | 第17-18页 |
| 1.4 Organization of the Thesis | 第18-20页 |
| Chapter Two Theoretical Framework:British Aestheticism | 第20-34页 |
| 2.1 French Aestheticism | 第20-22页 |
| 2.2 British Aestheticism | 第22-34页 |
| 2.2.1 Pre-Raphaelite Aestheticism | 第23-26页 |
| 2.2.3 Ruskin's Aestheticism | 第26-27页 |
| 2.2.4 Pater's Aestheticism | 第27-30页 |
| 2.2.5 Wilde's Aestheticism | 第30-34页 |
| Chapter Three Oscar Wilde's Aestheticism in The Picture | 第34-81页 |
| 3.1 The Autonomy of Art | 第34-57页 |
| 3.1.1 Form as the Essence of Art | 第34-36页 |
| 3.1.2 Art as Anti-Utilitarian | 第36-44页 |
| 3.1.3 The Relationship between Art and Life | 第44-52页 |
| 3.1.4 Aesthetic Distance | 第52-57页 |
| 3.2 New Hedonism | 第57-66页 |
| 3.2.1 Pursuit of Sensation | 第59-62页 |
| 3.2.2 Pursuit of Momentary Enjoyment | 第62-63页 |
| 3.2.3 Paradoxical Morality in New Hedonism | 第63-66页 |
| 3.3 Individualism | 第66-71页 |
| 3.3.1 Diversity in Individuals | 第67-69页 |
| 3.3.2 Individual Freedom as the Basis for Human | 第69-70页 |
| 3.3.3 Interdependence of Individualism and Art | 第70-71页 |
| 3.4 Relationship between Art,Artist and Critic | 第71-76页 |
| 3.4.1 Art's Independence from Artist | 第72-74页 |
| 3.4.2 Critic's Deterministic Effect on Art | 第74-76页 |
| 3.5 Union of Body and Soul | 第76-81页 |
| Chapter Four Conclusion | 第81-85页 |
| 4.1 Conclusion of the Thesis | 第81-84页 |
| 4.2 Suggestion for Further Research | 第84-85页 |
| Bibliography | 第85-90页 |
| Acknowledgements | 第90页 |
