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《暄哗与骚动》中凯蒂形象的文本世界解读

ACKNOWLEDGEMENTS第5-6页
摘要第6-8页
ABSTRACT第8-9页
CHAPTER ONE INTRODUCTION第13-16页
    1.1 Research Background第13-14页
    1.2 Significance and Purpose of the Study第14页
    1.3 Structure of the Thesis第14-16页
CHAPTER TWO LITERATURE REVIEW第16-26页
    2.1 Previous Research on Text World Theory Abroad第16-19页
    2.2 Previous Research on Text World Theory at Home第19-22页
    2.3 William Faulkner and The Sound and the Fury第22-23页
    2.4 Previous Research on The Sound and the Fury第23-26页
CHAPTER THREE THEORETICAL FRAMEWORK第26-38页
    3.1 Discourse World Layer第26-28页
    3.2 Text World Layer第28-31页
    3.3 Sub-worlds Layer第31-36页
        3.3.1 Werth’s sub-worlds第31-32页
        3.3.2 Gavins’ world-switches and modal-worlds第32-36页
    3.4 Accessibility of Text-worlds and Sub-worlds第36-38页
CHAPTER FOUR TEXT WORLD APPROACH TO CADDY’S IMAGE第38-60页
    4.1 Introduction of The Sound and the Fury第38-39页
        4.1.1 Introduction to the plots第38页
        4.1.2 Narrative characteristics of the story第38-39页
    4.2 Readers’ Discourse World Knowledge of Caddy第39-42页
        4.2.1 Southern American society in the plantation slavery第40-41页
        4.2.2 Women’s role in plantation slavery era第41-42页
        4.2.3 Summary第42页
    4.3 World Formation of Caddy’s Image through First-Person Narration第42-54页
        4.3.1 Caddy’s image from Benjy’s narrative perspective第42-45页
        4.3.2 Caddy’s image from Quentin’s narrative perspective第45-50页
        4.3.3 Caddy’s image from Jason’s narrative perspective第50-54页
    4.4 World Formation of Caddy’s Image from Third-Person Narration第54-58页
    4.5 Narrators’ Reliability and Unreliability in the World Construction第58-60页
CHAPTER FIVE CONCLUSION第60-63页
    5.1 Summary of the Major Findings第60-62页
    5.2 Limitations and Further Research of the Thesis第62-63页
REFERENCES第63-67页

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