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概念整合理论视角下《绝望的主妇》片头中“苹果”的多模态隐喻研究

ACKNOWLEDGEMENTS第3-4页
ABSTRACT第4-6页
中文摘要第7-13页
Chapter One Introduction第13-17页
    1.1 The Motivation of the Study第13页
    1.2 Research Questions第13-14页
    1.3 Methodology of the Research第14页
    1.4 Significance of the Research第14-15页
    1.5 The Organization of the Thesis第15-17页
Chapter Two Literature Review第17-28页
    2.1 Previous Studies of Conceptual Blending Theory第17-23页
        2.1.1 Previous Studies of Conceptual Blending Theory at Home第17-18页
        2.1.2 Previous Studies of Conceptual Blending Theory Abroad第18-23页
    2.2 Previous Studies of Desperate Housewives第23-24页
        2.2.1 Previous Studies of Desperate Housewives at Home第23-24页
        2.2.2 Previous Studies of Desperate Housewives Abroad第24页
    2.3 Previous Studies on the Metaphor in Desperate Housewives第24-26页
    2.4 Summary第26-28页
Chapter Three Theoretical Framework第28-53页
    3.1 Conceptual Metaphor Theory第28-39页
        3.1.1 Metaphor and Its Important Elements第28-30页
        3.1.2 Conceptual Metaphor Theory第30-32页
        3.1.3 The Advantages and Disadvantages of Conceptual Metaphor Theory inStudying Metaphor第32-39页
            3.1.3.1 The Advantages of Conceptual Metaphor Theory in Studying Metaphor第33-34页
            3.1.3.2 The Disadvantages of Conceptual Metaphor Theory in Studying Metaphor第34-39页
    3.2 Conceptual Blending Theory第39-47页
        3.2.1 Mental Space Theory第39-41页
        3.2.2 Conceptual Blending Theory第41-44页
        3.2.3 The Advantages and Disadvantages of Conceptual Blending Theory in Studying Metaphor第44-47页
            3.2.3.1 The Advantages of Conceptual Blending Theory in Studying Metaphor第44-46页
            3.2.3.2 The Disadvantages of Conceptual Blending Theory in Studying Metaphor第46-47页
    3.3 Conceptual Blending Theory’s Supplement to Conceptual Metaphor Theory第47-50页
    3.4 Monomodal and Multimodal Metaphor第50-51页
        3.4.1 Monomodal Metaphor第50页
        3.4.2 Multimodal Metaphor第50-51页
    3.5 Summary第51-53页
Chapter Four Case Analysis of Multimodal Metaphor in Desperate Housewives fromthe Perspective of Conceptual Blending Theory第53-75页
    4.1 Cases of Multimodal Metaphor in the Lead-in of Desperate Housewives第54-60页
        4.1.1 Apple as Perfect Marriage第55-56页
        4.1.2 Apple as the Source of the Disaster第56-58页
        4.1.3 Apple as Choice第58-59页
        4.1.4 Apple as Wisdom第59-60页
    4.2 Analysis on Multimodal Metaphor of“Apple”from the Perspective of Conceptual Blending Theory第60-70页
        4.2.1 Literal Apprehension of“Apple”第61-63页
        4.2.2 Reference Space, Presentation Space and Blended Space第63-65页
        4.2.3 A Structured Blend第65-66页
        4.2.4 Emergent Meaning and Inference第66-70页
            4.2.4.1 Analysis of“Apple as Perfect Marriage”第66-67页
            4.2.4.2 Analysis of“Apple as the Source of the Disaster”第67-68页
            4.2.4.3 Analysis of“Apple as Choice”第68-69页
            4.2.4.4 Analysis of“Apple as Wisdom”第69-70页
    4.3 The Influencing Factors in the Meaning Realization of Multimodal Metaphoron Apple in the Lead-in第70-75页
        4.3.1 Culture第70-72页
        4.3.2 Co-text第72-73页
        4.3.3 Context of Situation第73-75页
Chapter Five Conclusion第75-78页
    5.1 Findings第75-76页
    5.2 Limitations第76页
    5.3 Suggestions for Future Studies第76-78页
References第78-82页
攻读硕士学位期间取得的研究成果第82-83页

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