| 摘要 | 第4-5页 |
| Abstract | 第5页 |
| Introduction | 第7-11页 |
| Chapter One Ecocriticism | 第11-18页 |
| 1.1 The definition and aims of ecocriticism | 第11-12页 |
| 1.2 The rise of ecocriticism | 第12-14页 |
| 1.3 Ecocriticism in China | 第14-18页 |
| Chapter Two Literature Reviews on Thomas Hardy and Shen Congwen | 第18-28页 |
| 2.1 Researches in Hardy at home and abroad | 第18-22页 |
| 2.2 Researches in Shen Congwen at home and abroad | 第22-26页 |
| 2.3 Comparative studies of Shen Congwen and Hardy | 第26-28页 |
| Chapter Three The Similar Singers of Nature and the Countryside | 第28-37页 |
| 3.1 The Wessex world and the pastoral scenes | 第28-32页 |
| 3.2 West Hunan and the nature's son | 第32-37页 |
| Chapter Four The Different Natural Views | 第37-47页 |
| 4.1 Hardy's complex natural view and its three origins | 第37-42页 |
| 4.2 Shen Congwen's unique natural view and its three origins | 第42-47页 |
| Chapter Five Confliction between the Old and the New Civilization | 第47-55页 |
| 5.1 Hardy's social view and his tragic consciousness | 第47-50页 |
| 5.2 Shen Congwen's imperfect paradise | 第50-53页 |
| 5.3 Returning to nature and human nature | 第53-55页 |
| Chapter Six The Daughters of Nature—an Ecofeminist Perspective | 第55-64页 |
| 6.1 The double oppressions | 第55-58页 |
| 6.2 Wessex witches and West Hunan goddesses | 第58-60页 |
| 6.3 Envisaging the tragic life and building the Greek shrine | 第60-64页 |
| Conclusion | 第64-66页 |
| Bibliography | 第66-74页 |
| Acknowledgements | 第74页 |
