| Acknowledgements | 第5-8页 |
| Chapter 1． Introduction | 第8-9页 |
| Chapter 2． The Source Text-Oriented Translation Theory | 第9-13页 |
| 2．1 Definition of Translation | 第9-10页 |
| 2．2 Translation Criteria | 第10-11页 |
| 2．3 The Images of Translator | 第11页 |
| 2．4 Belief of Feasible Machine Translation | 第11-12页 |
| 2．5 Copyright Law on Translation | 第12-13页 |
| 2．6 The Underlying Philosophy | 第13页 |
| Chapter 3． The Subjectivity of Translator | 第13-18页 |
| 3．1 Philosophical Trend: Toward Self-reflexiveness | 第13-15页 |
| 3．1．1 Intellectual Movement | 第13-14页 |
| 3．1．2 Analogy between Translation and History | 第14-15页 |
| 3．2 Subject of Translation | 第15-16页 |
| 3．3 Subjective Dynamics of Translator | 第16-17页 |
| 3．4 Creative Treason | 第17-18页 |
| 3．4．1 Creative Treason: An Essential Feature of Translation | 第17页 |
| 3．4．2 Creative Treason: Testimony to the Translator's Subjectivity | 第17-18页 |
| Chapter 4． Literary Translation is a Dialogue between the Text and the Translator | 第18-33页 |
| 4．1 Philosophy of Language | 第19-20页 |
| 4．1．1 Language as symbols of the Objective World | 第19页 |
| 4．1．2 Language as a Way of being | 第19-20页 |
| 4．2 Views on Meaning | 第20-21页 |
| 4．2．1 Meaning of Everyday and Scientific Language | 第20页 |
| 4．2．2 Meaning of Literary Language | 第20-21页 |
| 4．3 Philosophical Hermeneutics | 第21-22页 |
| 4．4 Historical Interpretation and Purposive Translation | 第22-25页 |
| 4．4．1 Understanding in the Context of History | 第22-24页 |
| 4．4．2 Understanding as a Process | 第24-25页 |
| 4．5 Prejudice and Misreading in Literary Translation | 第25-28页 |
| 4．5．1 Prejudice in Gademer's Terms | 第25-26页 |
| 4．5．2 The 'Prejudice' of Prejudice | 第26-27页 |
| 4．5．3 Creative Treason in Translation | 第27-28页 |
| 4．6 Fusion of Horizons and Cultural filtering in Translation | 第28-31页 |
| 4．6．1 Horizon Defined | 第28-29页 |
| 4．6．2 Understanding is the Fusion of Horizons | 第29-30页 |
| 4．6．3 Cultural Filtering in Translation | 第30-31页 |
| 4．7 Over-interpretation | 第31-33页 |
| 4．7．1 Hermeneutic Cycle and the Infinitude of Understanding | 第31-32页 |
| 4．7．2 The Limits to Interpretation | 第32-33页 |
| Chapter 5． Literary Translation is Rewriting: A Perspective of Power and Discourse | 第33-47页 |
| 5．1 The Perspective of Power and Discourse | 第33-35页 |
| 5．1．1 Power | 第33-34页 |
| 5．1．2 Discourse | 第34页 |
| 5．1．3 Translation is a Matter of Discourse | 第34-35页 |
| 5．2 The Concept of Rewriting | 第35-36页 |
| 5．2．1 Rewriting Defined | 第35页 |
| 5．2．2 Translation is a Rewriting of an Original Text | 第35-36页 |
| 5．2．3 Translator's Subjectivity in Rewriting | 第36页 |
| 5．3 Dominant Ideology in the Target Culture | 第36-41页 |
| 5．3．1 Ideology Defined | 第36-37页 |
| 5．3．2 Ideological Intervention in Translation and Case Studies | 第37-38页 |
| 5．3．3 Translation Strategy out of Ideological Concern | 第38-40页 |
| 5．3．4 Translator's Role in Constructing Cultures | 第40-41页 |
| 5．4 Dominant Poetics in the Target Culture | 第41-45页 |
| 5．4．1 Poetics Defined | 第41-42页 |
| 5．4．2 Poetological Intervention in Translation | 第42-43页 |
| 5．4．3 Translation Strategies out of Poetological Concern | 第43-44页 |
| 5．4．4 Translator's Role in Promoting Literary Evolution | 第44-45页 |
| 5．5 The Paradox of Translator's Invisibility | 第45-47页 |
| 5．5．1 "Invisibility" and Domestication | 第45页 |
| 5．5．2 "Violence" in Domestication | 第45-47页 |
| Chapter 6． Conclusion | 第47-50页 |
| 6．1 The Principle of "Harmony instead of Sameness" | 第48页 |
| 6．2 The Ethics in Translation | 第48-50页 |
| Works Cited | 第50-52页 |
| Works Consulted | 第52-54页 |
