首页--文学论文

论王尔德童话的音乐性

Acknowledgements第3-5页
Abstract第5-7页
摘要第8-12页
Introduction第12-20页
    0.1 Oscar Wilde and his Fairy Tales第12-14页
    0.2 Music and Literature第14-16页
    0.3 Studies Abroad and Domestic Studies第16-19页
    0.4 Research Significance第19-20页
Chapter One Explicit Features of Musicality第20-40页
    1.1 Musical Contents第20-29页
        1.1.1 Natural Music第21-25页
        1.1.2 Artificial Music第25-29页
    1.2 Musical Rhythm第29-40页
        1.2.1 Rhetorical Figures第29-36页
        1.2.2 Short Sentences第36-40页
Chapter Two Implicit Features of Musicality第40-60页
    2.1 Building Structural Frames—Nocturne第40-47页
        2.1.1 Sacrifice for Love第42-43页
        2.1.2 Selfishness and Happiness第43-45页
        2.1.3 Spiritual Treasure and Material Wealth第45-46页
        2.1.4 Struggle Between Love and Soul第46-47页
    2.2 Developing Storylines—Rondo Form第47-51页
        2.2.1 Dedication of the Happy Prince第49-50页
        2.2.2 Dreams of the King第50-51页
    2.3 Diversifying Narrative Modes—Polyphony第51-54页
    2.4 Creating Conflicts—Counterpoint第54-60页
        2.4.1 Friend by Action and Friend in Word第55-56页
        2.4.2 Outer Beauty and Inner Beauty第56-58页
        2.4.3 Pure Love and Utilitarian Love第58-60页
Chapter Three Effects of Musicality第60-74页
    3.1 Music and Texts第60-68页
        3.1.1 Aesthetic Feelings of Language第61-63页
        3.1.2 Shaping of Characters and Environment, and Deepening of Themes第63-66页
        3.1.3 Varieties of Narrative第66-68页
    3.2 Music and Readers第68-74页
        3.2.1 Catharsis and Education第69-70页
        3.2.2 Synesthesia and Comprehension第70-71页
        3.2.3 Expectation and Review第71-74页
Conclusion第74-76页
Bibliography第76-82页
Appendix第82-83页

论文共83页,点击 下载论文
上一篇:古典主义在二十世纪的现代回声--以叶芝、艾略特、奥登为中心
下一篇:论马修·阿诺德的中产阶级文化认同