| 摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| Introduction | 第10-17页 |
| 0.1 Philip Roth and American Pastoral | 第10-11页 |
| 0.2 Literature Review | 第11-13页 |
| 0.3 The Spatial Criticism | 第13-17页 |
| Chapter One Physical Space in American Pastoral | 第17-24页 |
| 1.1 The Geographical Space：The Chaotic Newark City | 第17-19页 |
| 1.2 The Scene Space: Houses | 第19-24页 |
| 1.2.1 The Swede’s Stone House — a Symbol of American Identity | 第19-21页 |
| 1.2.2 Dawn’s Unfinished Modern House — a Symbol of BourgeoisIdentity | 第21页 |
| 1.2.3 Merry’s Bedraggled Boardinghouse — a Symbol of Decadence | 第21-24页 |
| Chapter Two Psychological Space in American Pastoral | 第24-32页 |
| 2.1 The Swede: A Spiritual Vagrant in Disciplinary Society | 第24-28页 |
| 2.1.1The Failure of the Swede’s Self Identification under SocialDisciplines | 第25-26页 |
| 2.1.2 The Loss of the Swede’s Racial Identity | 第26-28页 |
| 2.2 Merry: A Spiritual Orphan in the Wilderness of Identity | 第28-32页 |
| 2.2.1 Merry’s Mental Distortion under the Surveillance of ExcellentParents | 第28-29页 |
| 2.2.2 The Loss of Merry’s Racial Identity in the Exogamy Family | 第29-32页 |
| Chapter Three Social Space in American Pastoral | 第32-45页 |
| 3.1 The Confrontation Between Jewish Culture and American MainstreamCulture | 第32-36页 |
| 3.1.1 The Disciplines of American Mainstream Culture on the Jews | 第33-35页 |
| 3.1.2 The Resistance of the Jews | 第35-36页 |
| 3.2 The Confrontation Between the Female and the Male | 第36-40页 |
| 3.2.1 The Disciplines of the Male on the Female | 第37-38页 |
| 3.2.2 The Resistance of the Female | 第38-40页 |
| 3.3 The Confrontation Between the Proletariat and the Bourgeois | 第40-45页 |
| 3.3.1 The Disciplines of the Bourgeois on the Proletariat | 第41-42页 |
| 3.3.2 The Resistance of the Proletariat | 第42-45页 |
| Conclusion | 第45-47页 |
| Bibliography | 第47-49页 |
| 发表论文和科研情况说明 | 第49-50页 |
| Acknowledgements | 第50-51页 |
