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格式塔意象再造理论视角下《春江花月夜》英译本比较研究

Acknowledgements第4-5页
摘要第5-6页
Abstract第6-7页
Chapter One INTRODUCTION第11-16页
    1.1 Research Background第11-12页
    1.2 Research Significance第12-14页
    1.3 Research Methodology第14-15页
    1.4 Thesis Structure第15-16页
Chapter Two LITERATURE REVIEW第16-22页
    2.1 Studies on Translations of Chun Jiang Hua Yue Ye Abroad第16-17页
    2.2 Studies on Translations of Chun Jiang Hua Yue Ye at Home第17-19页
    2.3 The Poem’s Translators and English Versions第19-22页
        2.3.1 Xu Yuanchong and His Version第19-20页
        2.3.2 Charles Budd and His Version第20页
        2.3.3 W.J.B. Fletcher and His Version第20-22页
Chapter Three IMAGE-G AND ITS ACTUALIZATION第22-32页
    3.1 Image-G第22-27页
        3.1.1 Definition of Image-G第22-25页
        3.1.2 Qualities of Image-G第25-27页
    3.2 Image-G Actualization and Literary Translation第27-28页
    3.3 Model of Image-G Actualization in Literary Translation第28-32页
        3.3.1 Actualization in Mind第28-30页
        3.3.2 Actualization in Language第30-32页
Chapter Four COMPARATIVE STUDIES OF THREE ENGLISH VERSIONS OF CHUNJIANG HUA YUE YE BASED ON IMAGE-G AND ITS ACTUALIZATION第32-61页
    4.1 Connection between Image-G Actualization and IdeorealmRepresentation in Chinese Classical Long Poems第32-39页
        4.1.1Definition and Characteristics of Ideorealm第33-35页
        4.1.2 Similarity Between Image-G and Ideorealm第35-36页
        4.1.3 Ideorealm Representation of Chun Jiang Hua Yue Ye in ThreeVersions from the Perspective of Image-G Actualization第36-39页
    4.2 Linguistic Presentation of Image-G in Chun Jiang Hua Yue Ye第39-57页
        4.2.1 Presentation of Image-G on the Semantic Level第40-51页
        4.2.2 Presentation of Image-G on the Syntactic Level第51-55页
        4.2.3 Presentation of Image-G on the Textual Level第55-57页
    4.3 Aesthetic Presentation of Image-G in Chun Jiang Hua Yue Ye第57-61页
Chapter Five CONCLUSION第61-63页
WORKS CITED第63-66页
APPENDIX第66-73页
The Author’s Recent Publications and Research Involved第73页

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