| Acknowledgements | 第1-6页 |
| 摘要 | 第6-8页 |
| ABSTRACT | 第8-13页 |
| Chapter 1 Introduction | 第13-16页 |
| ·Research Background | 第13页 |
| ·The Organization of the Thesis | 第13-14页 |
| ·Significance of the Research | 第14-16页 |
| Chapter 2 Literature Review of the Study of the Translation of Shakespearean Plays in China | 第16-23页 |
| ·A General Review | 第16-19页 |
| ·Stylistics and Translation | 第19页 |
| ·Liang Shiqiu and Zhu Shenghao | 第19-21页 |
| ·Hamlet in Translation | 第21页 |
| ·Reflection & Prospect | 第21-23页 |
| Chapter 3 Imagery Theory in Chinese Classical Literary Theory | 第23-32页 |
| ·Definition of Image | 第23-24页 |
| ·The Origin and Development of Imagery in Chinese Literary Theory | 第24-26页 |
| ·The Relation between “yan”, “xiang”and “yi” | 第26-29页 |
| ·The Comparison Between Imagery in China and in the West | 第29-31页 |
| ·Summary | 第31-32页 |
| Chapter 4 The Significance of Imagery Theory for Literature Image Translation | 第32-36页 |
| ·Image in Literary Translation | 第32页 |
| ·The Application of Imagery in Literature Translation | 第32-34页 |
| ·Summary | 第34-36页 |
| Chapter 5 Imagery Theory in the Translation of Shakespeare’s Plays | 第36-65页 |
| ·Origins and Characteristics of Images in Shakespeare’s Plays | 第36-45页 |
| ·Origins of Images in Shakespeare’s Plays | 第36-44页 |
| ·Characteristics of images in shakespeare’s plays | 第44-45页 |
| ·Translatability of imagery | 第45-46页 |
| ·Case Study: four results of image translation in shakespeare’s plays | 第46-62页 |
| ·Equivalence of Xiang | 第47-52页 |
| ·Deformation of Xiang | 第52-56页 |
| ·Loss of Xiang | 第56-60页 |
| ·Amplification of Xiang | 第60-62页 |
| ·Summary | 第62-65页 |
| Chapter 6 Conclusion | 第65-67页 |
| ·General Summary of the Study | 第65页 |
| ·Limitations and suggestions for further study | 第65-67页 |
| Bibliography | 第67-68页 |
