| 摘要 | 第4-6页 |
| Abstract | 第6-8页 |
| Introduction | 第10-19页 |
| 0.1 A Brief Introduction to Drama | 第10-13页 |
| 0.2 The Adaption of Western Drama in China | 第13页 |
| 0.3 Eugene O’Neill and Desire under the Elms | 第13-17页 |
| 0.4 Xu Fen and Yu Hai Kuang Chao | 第17-19页 |
| Chapter One Background of Xu Fen’s Adaption of Desire under the Elms | 第19-26页 |
| 1.1 Reception of Eugene O’Neill’s Works in China | 第19-20页 |
| 1.2 Factors Influencing the Adaption | 第20-23页 |
| 1.3 Reception of Xu Fen’s Yu Hai Kuang Chao | 第23-26页 |
| Chapter Two The Cultural Significance in Drama Adaption | 第26-34页 |
| 2.1 Operating System of Cross-Cultural Adaption | 第27-28页 |
| 2.2 Possibilities of Cross-Cultural Adaption | 第28-31页 |
| 2.3 Importance of Cross-Cultural Adaption | 第31-34页 |
| Chapter Three Differences of the Two Versions of Desire under the Elms | 第34-50页 |
| 3.1 Differences in Script | 第34-41页 |
| 3.2 Differences in Stage Performance | 第41-45页 |
| 3.3 Differences in Stage Setting | 第45-49页 |
| 3.4 Differences in Literary Tradition | 第49-50页 |
| Chapter Four Cultural Account for the Differences | 第50-59页 |
| 4.1 Cultural Differences from the Inside of the Drama | 第50-56页 |
| 4.2 Cultural Differences from the Outside of the Drama | 第56-59页 |
| Conclusion | 第59-61页 |
| Bibliography | 第61-63页 |
| Acknowledgements | 第63-64页 |
| 个人简历 | 第64页 |
