| Acknowledgements | 第1-6页 |
| Abstract (English) | 第6-7页 |
| Abstract (Chinese) | 第7-10页 |
| Introduction | 第10-12页 |
| Chapter One Vision of an old tale | 第12-18页 |
| 1.Cultural background and its origin | 第12-14页 |
| ·Origin of western culture-----Greek Myth | 第12-13页 |
| ·Developed in Middle Age | 第13页 |
| ·Popular in French | 第13-14页 |
| ·Various versions all over the world | 第14页 |
| 2 Movie versions | 第14-18页 |
| ·Disney refreshes the tale | 第14-16页 |
| ·Story behind the screen | 第14-16页 |
| ·Tale As Old As Time | 第16页 |
| ·Jean Cocteau's Version | 第16-18页 |
| Chapter Two Modern Responses------Revision: folk tale takes on new life | 第18-27页 |
| 1. Modern Adapted-into-film works | 第18页 |
| 2 The modern revisionist fairy tales | 第18-27页 |
| 2. 1 Kingkong---the Myth of economic depression in 30s | 第18-22页 |
| ·About the story | 第18-19页 |
| ·Modern "beast" moved audiences all over the world | 第19-20页 |
| ·Fairy tale elements in this tragic "fairytale" love story | 第20-22页 |
| ·Tarzan----Beauty and the Beast in the jungle world | 第22-23页 |
| ·About the story | 第22-23页 |
| ·Noble savage vs. Western civilization | 第23页 |
| ·Shrek----a fairy story that is the most unlike fairy story | 第23-26页 |
| ·About the story | 第23-24页 |
| ·Beauty and the Beast with modern twists | 第24-26页 |
| ·The Phantom of the Opera-------Beauty and the Beast in reality | 第26-27页 |
| Chapter Three Miracle of love | 第27-30页 |
| 1. Fairy story: the love present | 第27页 |
| 2. Miracle of love | 第27-28页 |
| 3. True and precious beauty is within | 第28-30页 |
| Chapter four Metamorphosis | 第30-40页 |
| 1. The stories about animals in ancient Asia and Europe | 第30-31页 |
| ·In Europe | 第30页 |
| ·In Asia | 第30-31页 |
| ·Reasons of the repeated motif: the desire of men | 第31页 |
| 2 Animal stories with various themes | 第31-32页 |
| ·Friendship between animal and man | 第31-32页 |
| ·"sibling" between animal and man | 第32页 |
| ·love between animal and man | 第32页 |
| 3.The animal-groom (bride) cycle of fairy tales | 第32-33页 |
| 4.Tale type-----Search for a lost husband | 第33-35页 |
| 5.Meaning that is behind the tale type----the collective unconscious | 第35-36页 |
| 6.The crucial point in the tale----Metamorphosis | 第36-40页 |
| ·Metamorphosis in modern works-----existential state of modern people | 第36-37页 |
| ·Alienation | 第36-37页 |
| ·Dehumanization | 第37页 |
| ·The metamorphosis between east and west | 第37-39页 |
| ·The reason of metamorphosis | 第37-38页 |
| ·How to transform | 第38-39页 |
| ·The kinds of metamorphosis | 第39-40页 |
| Chapter Five Psychological Meaning | 第40-48页 |
| 1.Jung and his theory | 第40-42页 |
| ·Archetypal ideas | 第40页 |
| ·Anima and Animus | 第40-42页 |
| ·Animus complex of Beauty | 第42页 |
| 2 Freud and his theory | 第42-45页 |
| ·Oedipus the king | 第42-43页 |
| ·Oedipal attachment | 第43-44页 |
| ·Pleasant principle vs. Reality principle | 第44-45页 |
| 3 Comparison between movie and written version | 第45-48页 |
| ·Lack of sibling rivalry | 第45-48页 |
| Conclusion | 第48-50页 |
| Bibliography | 第50页 |
