| 中文摘要 | 第1-4页 |
| Abstract | 第4-5页 |
| Contents | 第5-6页 |
| Introduction | 第6-11页 |
| I. Sherwood Anderson and His Works | 第6-8页 |
| II. Relationship between Anderson and Freud's Theory | 第8-9页 |
| III. Brief Contents of the Thesis | 第9-11页 |
| Chapter One Relationship between Anderson and Female Characters' Creation | 第11-22页 |
| I. The Unconscious Theory of Freud | 第11-13页 |
| II. Anderson and His Female Family Members | 第13-16页 |
| III. The Portrayal of Female Characters | 第16-22页 |
| Chapter Two An Interpretation on Repression | 第22-30页 |
| I. Personality Structure Theory of Freud: Id, Ego and Superego | 第22-24页 |
| II. Repression and Industrial Civilization | 第24-26页 |
| III. Repression: The Disorientation of Ego | 第26-30页 |
| Chapter Three Psychoanalytic Study on the Symbols in Winesburg, Ohio | 第30-37页 |
| I. Symbol Interpretation in Psychoanalytic Literary Criticism | 第30-31页 |
| II. Symbol of Hand | 第31-33页 |
| III. Symbol of Room | 第33-35页 |
| IV. Symbol of Twisted Apple | 第35-37页 |
| Conclusion | 第37-39页 |
| Bibliography | 第39-42页 |
| Acknowledgements | 第42-43页 |
