| 摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| 1 Introduction | 第9-13页 |
| 1.1 A Brief Introduction of Maya Angelou and I Know Why the Caged Bird Sings | 第9-12页 |
| 1.2 Significance and Originality of this Thesis | 第12-13页 |
| 2 Literature Review | 第13-19页 |
| 2.1 Studies on I Know Why the Caged Bird Sings Abroad | 第13-16页 |
| 2.2 Studies on I Know Why the Caged Bird Sings at Home | 第16-19页 |
| 3 Theoretical Foundation | 第19-28页 |
| 3.1 Definition of Womanism | 第19-20页 |
| 3.2 Relations and Differences between Feminism and Womanism | 第20-23页 |
| 3.3 Alice Walker’s Womanism | 第23-25页 |
| 3.4 Womanism in Marguerite’s Pursuit for Her Wholeness | 第25-28页 |
| 4 The Tough Process of Marguerite’s Pursuit for Her Wholeness of Survival | 第28-41页 |
| 4.1 Marguerite’s Loss under the Dual Oppression | 第28-32页 |
| 4.1.1 Marguerite’s Confusion about Woman Identity under Sexism | 第28-31页 |
| 4.1.2 Marguerite’s Rejection of Black Identity under Racism | 第31-32页 |
| 4.2 Marguerite’s Awakening through Female Bonding | 第32-37页 |
| 4.2.1 Marguerite’s Sense of Harmony Influenced by Mrs. Henderson | 第33-35页 |
| 4.2.2 Marguerite’s Sense of Anti-oppression Enlightened by Mother Vivian | 第35-36页 |
| 4.2.3 Marguerite’s Spiritual Revival Assisted by Other Women | 第36-37页 |
| 4.3 Marguerite’s Rebellion against Sexism and Racism | 第37-41页 |
| 5 The Fulfillment of Marguerite’s Wholeness of Survival | 第41-49页 |
| 5.1 Marguerite’s Return to Her Dual Identities | 第41-44页 |
| 5.1.1 Marguerite’s Return to Woman Identity | 第41-43页 |
| 5.1.2 Marguerite’s Return to Black Identity | 第43-44页 |
| 5.2 Marguerite’s Friendly Coexistence with the Opposites | 第44-49页 |
| 5.2.1 Harmonious Relationship between Marguerite and Men | 第45-46页 |
| 5.2.2 Harmonious Relationship between Marguerite and other Races | 第46-49页 |
| 6 Conclusion | 第49-52页 |
| References | 第52-55页 |
| Acknowledgements | 第55-56页 |
