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作为女性哥特小说的《染血之室》与《黄色糊墙纸》对比研究

Acknowledgements第5-7页
Abstract第7-8页
摘要第9-13页
Introduction第13-41页
    0.1 Introduction of Angela Carter and The Bloody Chamber第13-18页
        0.1.1 Introduction of Angela Carter第13-17页
        0.1.2 Introduction of The Bloody Chamber第17-18页
    0.2 Introduction of Charlotte Perkins Gilman and The Yellow Wallpaper第18-23页
        0.2.1 Introduction of Charlotte Perkins Gilman第19-22页
        0.2.2 Introduction of The Yellow Wallpaper第22-23页
    0.3 Literature Review第23-31页
        0.3.1 Literature Review of Carter and The Bloody Chamber第23-27页
        0.3.2 Literature Review of Gilman and The Yellow Wallpaper第27-31页
    0.4 Significance of the Study第31-32页
    0.5 Theoretical Basis第32-39页
        0.5.1 Gothic Novel as a Genre第33-35页
        0.5.2 Female Gothic Novel as a Genre第35-39页
    0.6 Thesis Statement第39-41页
Chapter One Gothic Settings as the Symbol of Patriarchal Confinement第41-53页
    1.1 Gothic Settings in The Bloody Chamber第42-46页
    1.2 Gothic Settings in The Yellow Wallpaper第46-49页
    1.3 Comparison of Gothic Settings in The Bloody Chamber and The YellowWallpaper第49-53页
        1.3.1 Similarities第49-51页
        1.3.2 Dissimilarities第51-53页
Chapter Two Gothic Motifs as the Expression of Females’ Suffering in Patriarchal Society第53-68页
    2.1 Gothic Motifs in The Bloody Chamber第53-58页
        2.1.1 Violence第54-56页
        2.1.2 Murder第56-58页
    2.2 Gothic Motifs in The Yellow Wallpaper第58-64页
        2.2.1 Violence第59-61页
        2.2.2 Madness第61-64页
    2.3 Comparison of Gothic Motifs in The Bloody Chamber and The YellowWallpaper第64-68页
        2.3.1 Similarities第64-66页
        2.3.2 Dissimilarities第66-68页
Chapter Three Gothic Females in Response to Oppression in Patriarchal System第68-89页
    3.1 Gothic Females in The Bloody Chamber第68-75页
        3.1.1 The Heroine第69-74页
        3.1.2 The Mother第74-75页
    3.2 Gothic Females in The Yellow Wallpaper第75-82页
        3.2.1 The Heroine第76-80页
        3.2.2 Jennie第80-82页
    3.3 Comparison of Gothic Females in The Bloody Chamber and The YellowWallpaper第82-89页
        3.3.1 Similarities第82-85页
        3.3.2 Dissimilarities第85-89页
Conclusion第89-92页
References第92-98页
About the Author第98页

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