| 1． Introduction | 第1-11页 |
| 2． Black Humor and Cooperative Principles | 第11-23页 |
| 2．1 The nature of Black Humor | 第11-15页 |
| 2．2 Gricean Theory--Cooperative Principles | 第15-16页 |
| 2．3 The Theoretical basis of the violation of the Cooperative Principles in Catch-22 | 第16-23页 |
| 2．3．1 The discourse situation of literature | 第17-19页 |
| 2．3．2 Conversational implicature | 第19-23页 |
| 3． Generation of Black Humor by Violating the Maxims of the CP | 第23-52页 |
| 3．1 The violation of the Maxim of Quantity | 第23-31页 |
| 3．1．1 More Information | 第23-28页 |
| 3．1．2 Less Information | 第28-31页 |
| 3．2 The Violation of the Maxim of Quality | 第31-37页 |
| 3．2．1 Falsity | 第31-35页 |
| 3．2．2 Logical Mistake | 第35-37页 |
| 3．3 The Violation of the Maxim of Relevance | 第37-42页 |
| 3．3．1 Partial Irrelevance | 第38-40页 |
| 3．3．2 Complete Irrelevance | 第40-42页 |
| 3．4 The Violation of the Maxim of Manner | 第42-52页 |
| 3．4．1 Obscurity | 第42-45页 |
| 3．4．2 Ambiguity | 第45-47页 |
| 3．4．3 Redundancy | 第47-48页 |
| 3．4．4 Disorder | 第48-52页 |
| 4． A Dialectical View of the Violation of the CP in Catch-22 | 第52-61页 |
| 4．1 The relationship of the various violation of the CP in Catch-22 | 第52-55页 |
| 4．1．1 The order of the four Maxims in Catch-22 | 第52-54页 |
| 4．1．2 The relationship of the content group and form group | 第54-55页 |
| 4．2 The Dominant Factors in the Violation of the CP in Catch-22 | 第55-61页 |
| 4．2．1 Subject in Black Humorous Expression | 第55-56页 |
| 4．2．2 The characters in Catch-22 | 第56-59页 |
| 4．2．3 The Participants and the Settings | 第59-61页 |
| 5． Conclusion | 第61-64页 |
| Bibliography | 第64-66页 |
