| Acknowledgements | 第1-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第7-8页 |
| Contents | 第8-10页 |
| Introduction | 第10-16页 |
| ·Toni Morrison and Her Literary Creations | 第10-12页 |
| ·Critical Reviews on Beloved | 第12-14页 |
| ·Objectives and Structure of the Thesis | 第14-16页 |
| Chapter One Theory of Intertextuality | 第16-24页 |
| ·Origin and Development of Intertextuality | 第16-21页 |
| ·Intertextual Features of Morrison’s Fiction | 第21-24页 |
| Chapter Two Historical Truths as Intertexts in Beloved | 第24-36页 |
| ·Recuperation of the Real Infanticide Case | 第24-29页 |
| ·Inspiration of the Writing of Beloved | 第24-25页 |
| ·Transformation of the Real Case in Beloved | 第25-29页 |
| ·Recurrence of the Slavery | 第29-36页 |
| ·Social Background of Beloved | 第29-30页 |
| ·Slaves on the Passage | 第30-32页 |
| ·Slavery on the Plantations | 第32-34页 |
| ·Ex-slaves after Emancipation | 第34-36页 |
| Chapter Three Western Classics as Intertexts in Beloved | 第36-49页 |
| ·Allusion to the Bible | 第36-43页 |
| ·Overturn of the Biblical Setting | 第37-38页 |
| ·Imitation of the Biblical Characters | 第38-41页 |
| ·Revision of the Biblical Incidents | 第41-43页 |
| ·Intertextuality with Medea | 第43-49页 |
| ·Infanticide: Revenge and Confrontation | 第44-46页 |
| ·Cultural Connotation of “Infanticide” | 第46-49页 |
| Chapter Four Traditional Writings as Intertexts in Beloved | 第49-64页 |
| ·Intertextual Connection with Gothic Style | 第50-55页 |
| ·The House 124: an Unspoken Gothic Setting | 第50-52页 |
| ·Sethe: a Different Gothic Heroine | 第52-53页 |
| ·Ghosts: the Creative use of Supernatural | 第53-55页 |
| ·Intertextual Connection with Magic Realism | 第55-64页 |
| ·Magic World as Means to Expose Brutality of Slavery | 第56-58页 |
| ·Fantastic Images to Show Magic Reality | 第58-60页 |
| ·Magic Narrative Strategy to Make Magic Effects | 第60-64页 |
| Conclusion | 第64-66页 |
| References | 第66-70页 |
| Publications | 第70页 |
