| 摘要 | 第1-5页 |
| Abstract | 第5-9页 |
| 1 Introduction | 第9-20页 |
| ·Review of James Joyce and His Ulysses | 第9-10页 |
| ·James Joyce | 第9页 |
| ·Ulysses:a Synopsis | 第9-10页 |
| ·Context of Theory,Society and Literature | 第10-14页 |
| ·Theoretical Context | 第10-11页 |
| ·Historical Context | 第11-14页 |
| ·Literal Context | 第14页 |
| ·Feminist Narratology | 第14-16页 |
| ·Critical Review on Ulysses at Home and Abroad | 第16-19页 |
| ·Summary | 第19-20页 |
| 2 Narrative Pattern:Unique Characters,Plot and Structure | 第20-28页 |
| ·Character Mode:the Subtext of Major Characters | 第20-21页 |
| ·Bloom-a Man with Femininity | 第20页 |
| ·Stephen- a Friendless "Child" | 第20-21页 |
| ·Molly- a Woman with Masculinity | 第21页 |
| ·Plot Mode:Two Textual Structures in Mutual Context | 第21-23页 |
| ·Odyssey,a Story of a Hero | 第21-22页 |
| ·Ulysses,Featured by Molding a Heroine | 第22-23页 |
| ·Structure Mode | 第23-26页 |
| ·The Female Structure and Its Characteristics | 第23-25页 |
| ·The Reasons for Such Structure | 第25-26页 |
| ·Summary | 第26-28页 |
| 3 Narrative Discourse:Feminismized Discourse Mode | 第28-33页 |
| ·Relations between Stream of Consciousness and Textual Mode of the Female | 第28-29页 |
| ·Stream of Consciousness and Femininity | 第29-32页 |
| ·Femininity in Ulysses' Writing Outline | 第29-31页 |
| ·The Word Games and Sense of the Body | 第31页 |
| ·The Imitation of the Female Thinking and Admiration of Aesthetic Values of Nonrationality in Episode 18 | 第31-32页 |
| ·Summary | 第32-33页 |
| 4 Narrative Voice:the Dual Voices from Narrators and Characters | 第33-44页 |
| ·Susan S.Lanser and Her Fictions of Authority:Women Writers and Narrative Voice | 第33页 |
| ·A Peculiar Narrative Authority of Authorial Voice | 第33-42页 |
| ·Ulysses and a Feminist Work | 第33-35页 |
| ·Authorial Voice—The Existence of the Narrator's Voice | 第35-36页 |
| ·The Establishment of the Female Authority | 第36-42页 |
| ·Summary | 第42-44页 |
| 5 Narrative Perspective:the Speaking of a Female Focalizor | 第44-59页 |
| ·Application and Exploitation of the Female Perspective | 第44-54页 |
| ·The Perspective of a "New Woman" | 第45-49页 |
| ·The Exploitation of the Female Perspective | 第49-52页 |
| ·The Perspective of a "Returning Woman" but not "Old Woman" | 第52-54页 |
| ·Application of Gendered Displacement Perspective Mode | 第54-55页 |
| ·Deviation and Cooperation of Feminine Narration Convention | 第55-57页 |
| ·Alison A.Case and Her Feminine Narration | 第55页 |
| ·Practice of Feminine Narration in Ulysses | 第55-57页 |
| ·Summary | 第57-59页 |
| 6 Feminist Aesthetic Views in Ulysses | 第59-66页 |
| ·Practice and Action of Feminist Aesthetics | 第59页 |
| ·Methodology of Feminist Aesthetics Criticism | 第59-60页 |
| ·Feminist Aesthetic Views in Ulysses | 第60-64页 |
| ·Production of the Representation of a Woman | 第60页 |
| ·The Way to Understand the Representation of Molly | 第60-63页 |
| ·The Social Conditions in Which It is Situated | 第63-64页 |
| ·The Curing Functions of Feminine Feelings | 第64-65页 |
| ·Summary | 第65-66页 |
| Conclusion | 第66-68页 |
| Bibliography | 第68-71页 |
| Notes | 第71-76页 |
| Appendix | 第76-86页 |
| 攻读学位期间发表的学术论文 | 第86-87页 |
| Acknowledgements | 第87-88页 |
