| Acknowledgement | 第3-4页 |
| 摘要 | 第4-6页 |
| Abstract | 第6-7页 |
| List of Abbreviations | 第10-11页 |
| Chapter 1 Introduction | 第11-22页 |
| 1.1 Key Concept | 第13-17页 |
| 1.1.1 Main Melody Film, Mainstream Film and New Mainstream Film | 第13-14页 |
| 1.1.2 Military Film and Military Film with Main Melody Feature | 第14-15页 |
| 1.1.3 Ideology and Mainstream Ideology | 第15-17页 |
| 1.2 Literature Review | 第17-20页 |
| 1.2.1 Studies on Main Melody Film | 第17-18页 |
| 1.2.2 Studies on Military Film | 第18-19页 |
| 1.2.4 Studies on ideological expressions in Main Melody Film and MilitaryFilm | 第19-20页 |
| 1.3 Methodology | 第20-22页 |
| 1.3.1 Literature Research Method | 第20页 |
| 1.3.2 Textual Analysis | 第20-21页 |
| 1.3.3 Case Study | 第21-22页 |
| Chapter 2 Military Film Between Commercialization and Politics | 第22-30页 |
| 2.1 Commercialization: Industry, Audience and Aesthetics | 第22-26页 |
| 2.1.1 Industry: The Industrialization Transformation of Chinese MainMelody Film | 第22-23页 |
| 2.1.2 Audience:"Youngsters in the Town | 第23-25页 |
| 2.1.3 Aesthetics: Hongkong Directors"Go North" and the Boom of ActionFilm | 第25-26页 |
| 2.2 Politics:Censorship and Supportive Policy | 第26-30页 |
| 3.2.1 Loosened Censorship in Government Sectors | 第26-28页 |
| 3.2.2 Supports From the government | 第28-30页 |
| Chapter 3 Ideological Expressions in Military Film with Main Melody Feature | 第30-41页 |
| 3.1 Film of Revolutionary Historical Theme | 第30-35页 |
| 3.1.1 Historical Military Spectacle Narrative and the Construction ofRevolution Legend | 第30-32页 |
| 3.1.2 Youth Narrative and the Deconstruction of Struggle | 第32-34页 |
| 3.1.3 Ritual Narrative and the Remedy for Historical Trauma | 第34-35页 |
| 3.2 Film of Contemporary Military Theme | 第35-41页 |
| 3.2.1 Modern Military Spectacle and the Imagination of MilitaryModernization | 第35-36页 |
| 3.2.2 Superhero Narrative and Collectivism | 第36-37页 |
| 3.2.3 International Narrative and the Construction of the Other | 第37-41页 |
| Chapter 4 The Advancement and the Limitation | 第41-45页 |
| 4.1 Advancement: Multiple Narratives and the Cultural Confidence of the Nation | 第41-42页 |
| 4.2 Limitation: History Attenuating and Cultural Colonization? | 第42-45页 |
| References | 第45-48页 |
| Appendix | 第48-50页 |
