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莎士比亚剧作中身体的福柯式解读

摘要第5-6页
ABSTRACT第6-7页
Introduction第10-21页
    0.1 Research Background第10-13页
    0.2 Literature Review第13-14页
    0.3 Theoretical Format: Foucault’s Body Theory第14-18页
        0.3.1 The Disciplined Power by Knowledge第14-15页
        0.3.2 The Disciplined Power by Training第15-16页
        0.3.3 The Disciplined Power by Punishment第16-18页
    0.4 Research Focus第18-21页
Chapter 1 The Disciplined Body by the Sovereignty in Shakespeare’s Plays第21-32页
    1.1 The Repressed Body第21-26页
        1.1.1 The Oppressive Features第21-24页
        1.1.2 The Struggling Figures第24-26页
    1.2 The Tamed Body第26-32页
        1.2.1 Body Under the Discourse Power第26-29页
        1.2.2 Body Under the Sovereign Power第29-32页
Chapter 2 The Disciplined Body by the Clan Authority in Shakespeare’s Plays第32-51页
    2.1 The Disciplined Body by Feudal Patriarchal Domination第32-42页
        2.1.1 The Docile Body第32-38页
        2.1.2 The Dead Body第38-42页
    2.2 The Disciplined Body by the Authority of Husband第42-51页
        2.2.1 The Trained Body第43-47页
        2.2.2 The Metabolous Body第47-51页
Chapter 3 The Body Disciplined by the Feudal Asceticism in Shakespeare’s Palys第51-64页
    3.1 The Deformed Body Under the Asceticism第52-55页
        3.1.1 The Impenetrable Features第52-54页
        3.1.2 The Reconstructed Features第54-55页
    3.2 The Celibate Body Among the Youth第55-59页
        3.2.1 The Excruciating Characters第56-57页
        3.2.2 The Instinctive Body第57-59页
    3.3 The Hypocritical Body in Puritans第59-64页
        3.3.1 The Ludicrous Figure第59-61页
        3.3.2 The Lamentable Image第61-64页
Conclusion第64-67页
Bibliography第67-71页
Acknowledgements第71-72页
Appendix第72-73页
详细摘要第73-78页

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