| 摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| Chapter 1 Introduction | 第10-21页 |
| 1.1 Introduction to Nabokov and his Lolita | 第10-16页 |
| 1.1.1 Introduction to Nabokov and his Literary Achievement | 第10-14页 |
| 1.1.2 Introduction to Lolita | 第14-16页 |
| 1.2 Literature Review | 第16-20页 |
| 1.2.1 A General Introduction to the Study of Nabokov and Lolita | 第16-19页 |
| 1.2.1.1 Studies Abroad | 第17-18页 |
| 1.2.1.2 Domestic Studies on Lolita | 第18-19页 |
| 1.2.2 The Significance of the Study | 第19-20页 |
| 1.3 The Organization of the Thesis | 第20-21页 |
| Chapter 2 Theoretical Foundations | 第21-27页 |
| 2.1 The Origin and Development of Postmodernism in America | 第22-23页 |
| 2.2 The Definition and Characteristics of Postmodernism in Literature | 第23-27页 |
| 2.2.1 The Definition of Postmodernism in Literature | 第23-25页 |
| 2.2.2 The Main Characteristics of Postmodernism in Literature | 第25-27页 |
| Chapter 3 Indeterminacy in Lolita | 第27-35页 |
| 3.1 Indeterminacy of the Figures | 第28-32页 |
| 3.1.1 Indeterminacy of Humbert | 第28-29页 |
| 3.1.2 Indeterminacy of Lolita | 第29-30页 |
| 3.1.3 Indeterminacy of Quilty | 第30-32页 |
| 3.2 Indeterminacy of the Plot | 第32-33页 |
| 3.3 Indeterminacy of the Theme | 第33-35页 |
| Chapter 4 Parody in Lolita | 第35-43页 |
| 4.1 Parody of the Love Subject | 第35-37页 |
| 4.2 Parody of Different Literary Genres | 第37-39页 |
| 4.2.1 Parody of Confessions | 第37页 |
| 4.2.2 Parody of Detective Stories | 第37-39页 |
| 4.3 Parody of Freudianism and Psychoanalysis | 第39-43页 |
| 4.3.1 Parody of the Childhood Emotion Trauma of Humbert | 第39-41页 |
| 4.3.2 Parody of the Interpretation of Dreams | 第41-43页 |
| Chapter 5 Meta-fiction in Lolita | 第43-53页 |
| 5.1 The Unreliability of First-person Narrator | 第44-46页 |
| 5.2 The Unstability of the Personal Perspective | 第46页 |
| 5.3 The Multi-stratification of Nested Narrating | 第46-47页 |
| 5.4 The Integration of Life with Artistic Elements | 第47-53页 |
| 5.4.1 The Artistic Influence on Life | 第47-49页 |
| 5.4.2 The Influence of Life on Art | 第49-51页 |
| 5.4.3 The Combination of Life and Art | 第51-53页 |
| Chapter 6 Conclusion | 第53-56页 |
| References | 第56-58页 |
| Acknowledgements | 第58页 |
