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美美与共--从爵士乐视角解读《天佑赤子》

Acknowledgements第4-5页
Abstract第5-7页
摘要第8-12页
Introduction第12-24页
Chapter One Introduction to Jazz Music第24-38页
    1.1 The Primacy of African American Music in African American Literature第24-26页
    1.2 The Origin and Development of Jazz Music第26-30页
    1.3 Beauty with Diversity and Integrity in the Forms and Spirit of Jazz Music第30-38页
Chapter Two Textual Style Beauty in the Forms of Jazz Music第38-54页
    2.1 Jazz Improvisation of Page Arrangement第38-48页
        2.1.1 Jazz Improvisation of Chapters第38-44页
        2.1.2 Jazz Improvisation of Paragraphs第44-48页
    2.2 Riffs of Language第48-54页
        2.2.1 Repetition第49-51页
        2.2.2 Syncopation第51-54页
Chapter Three Narrative Strategy Beauty in the Forms of Jazz Music第54-76页
    3.1 Jam Session in Narrative Time第54-64页
        3.1.1 Impromptu Alliance of Temporal Order第55-60页
        3.1.2 Impromptu Alliance of Temporal Duration第60-64页
    3.2 Call-and-Response in Narrative Communication第64-76页
        3.2.1 Call-and-Response in Points of View第65-70页
        3.2.2 Call-and-Response in Speech Presentation第70-76页
Chapter Four Political Ideal Beauty in the Spirit of Jazz Music第76-106页
    4.1 The Rejuvenation of Social Justice第76-82页
        4.1.1 The Unjust Economic System of Capitalism第77-80页
        4.1.2 The Impotence of Legal Enforcement第80-82页
    4.2 The Self-realization of African American Female and Male第82-92页
        4.2.1 Bride第83-87页
        4.2.2 Booker Starbern第87-92页
    4.3 The Union of Diverse Communities第92-106页
        4.3.1 Sisterhood Between Black and White Female第93-98页
        4.3.2 The Cohesive Power of Fraternity of Mankind第98-106页
Conclusion第106-110页
Bibliography第110-119页

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