| 论文摘要 | 第5-10页 |
| Abstract | 第10-14页 |
| Introduction | 第17-34页 |
| I | 第19-26页 |
| II | 第26-29页 |
| III | 第29-32页 |
| NOTES | 第32-34页 |
| Chapter Ⅰ Writing in a rapidly changing feminist milieu | 第34-60页 |
| Ⅰ.Feminism since the 1970s—from the second to the third wave | 第39-48页 |
| 1.1.The second wave:involving the personal in politics | 第40-44页 |
| 1.2.The third wave:celebrating contradiction and multiplicity | 第44-48页 |
| Ⅱ.Garner's writing since 1977—from a feminist-libertarian to a postmodern feminist | 第48-58页 |
| 2.1 Feminist illumination:writing for self-salvation | 第51-55页 |
| 2.2.Illuminating feminism:writing for reconstruction | 第55-58页 |
| NOTES | 第58-60页 |
| Chapter Ⅱ Searching for a way of transgression:Garner's fiction writing | 第60-104页 |
| Ⅰ.A realistic text of love and sex:Monkey Grip(1977) | 第65-78页 |
| 1.1 Writing the body:Nora's romantic love rhythm | 第67-74页 |
| 1.2 Narrating "my own story":the anecdotal style | 第74-78页 |
| Ⅱ.A tale of modern love:The Children's Bach(1984) | 第78-90页 |
| 2.1 Subverting the duality:Athena's day and night | 第80-85页 |
| 2.2 Composing a musical fugue:polyphony of characters' voices | 第85-90页 |
| Ⅲ.A triptych of transgression:Cosmo Cosmolino(1992) | 第90-102页 |
| 3.1 Breaking through the patriarchy linearity:female psychic rhythm | 第92-97页 |
| 3.2 Blending realism with surrealism:magic realism | 第97-102页 |
| NOTES | 第102-104页 |
| Chapter Ⅲ Attaining the state of transcendence:Helen Garner's non-fiction writing | 第104-150页 |
| Ⅰ.Interrogating the relationship of sex and power:The First Stone(1995) | 第109-125页 |
| 1.1 Attacking victim feminism:a man victim and a woman vixen | 第114-119页 |
| 1.2 Writing between fact and fiction:"as a novel" | 第119-125页 |
| Ⅱ.Speculating on life and writing:True Stories(1996)& The Feel of Steel(2001) | 第125-136页 |
| 2.1 Telling true stories about writing:a feminist's contemplation | 第126-131页 |
| 2.2 Probing for transcendence in life:a woman's yearning for home | 第131-136页 |
| Ⅲ.Reconstructing the subjectivity of men and women:Joe Cinque's Consolation(2004) | 第136-148页 |
| 3.1 Embodying the generational war:a pieta and a femme fatale | 第138-144页 |
| 3.2 Fictionalizing the scenes:creative nonfiction | 第144-148页 |
| NOTES | 第148-150页 |
| Conclusion | 第150-159页 |
| Appendixes | 第159-161页 |
| Bibliography | 第161-177页 |
| Acknowledgements | 第177-179页 |
