| Abstract | 第1-6页 |
| 摘要 | 第6-10页 |
| Chapter 1 Introduction | 第10-22页 |
| ·Toni Morrison and her Works | 第10-15页 |
| ·Story of Beloved | 第15-17页 |
| ·Literature Review | 第17-19页 |
| ·The Objective and Structure of the Thesis | 第19-22页 |
| Chapter 2 Magic Realism | 第22-32页 |
| ·The Origin and Development of Magic Realism | 第23-26页 |
| ·Main Artistic Characteristics of Magic Realism | 第26-32页 |
| Chapter 3 Main Characteristics of Magic Realism Embodied in Beloved | 第32-78页 |
| ·Amalgamation of Magic and Reality to Expose Cruelty of Slavery | 第32-42页 |
| ·Appearance of Ghosts | 第33-37页 |
| ·Rememory | 第37-39页 |
| ·Displacement of Time and Space | 第39-42页 |
| ·Modern Narrative Methods to Cause Magic Effects | 第42-52页 |
| ·Fragmentary Narrative Structure | 第42-45页 |
| ·Stream of Consciousness | 第45-49页 |
| ·Multiple Voice Narration | 第49-52页 |
| ·Various Artistic Techniques to Convey the Themes | 第52-71页 |
| ·Symbolism in Beloved | 第52-61页 |
| ·Characters | 第53-58页 |
| ·124 House | 第58-60页 |
| ·Trees | 第60-61页 |
| ·Ambiguity in Beloved | 第61-71页 |
| ·Moral Ambiguity of the Infanticide | 第62-63页 |
| ·Ambiguous Identity of Beloved | 第63-68页 |
| ·Open Ending | 第68-71页 |
| ·Mythic Patterns to Strengthen the Artistic Influence | 第71-78页 |
| ·Biblical Allusions as Archetypes | 第71-74页 |
| ·African Folklores as Archetypes | 第74-78页 |
| Chapter 4 Conclusion | 第78-82页 |
| Bibliography | 第82-88页 |
| Acknowledgements | 第88-90页 |
