| abstract | 第4页 |
| 摘要 | 第5-7页 |
| Introduction | 第7-11页 |
| Chapter 1 Polyphony Theory and Chinese American Literature | 第11-21页 |
| 1.1 Review on China Dolls | 第11-13页 |
| 1.2 Polyphony Theory | 第13-18页 |
| 1.3 Polyphonic Features of Chinese American Literature | 第18-21页 |
| Chapter 2 The Subjectivity of Characters | 第21-37页 |
| 2.1 Grace?s Brave Voice in Searching for the Sense of Security | 第21-27页 |
| 2.2 Helen?s Helpless Voice in Escaping from the Cruelty | 第27-31页 |
| 2.3 Ruby?s Hypocritical Voice in Achieving Her Dream | 第31-37页 |
| Chapter 3 The Dialogism in China Dolls | 第37-56页 |
| 3.1 The Great Dialogue | 第38-47页 |
| 3.1.1 Dialogic Relationship in the Structure | 第38-43页 |
| 3.1.2 Contrapuntal Structure of Characters? Relationship | 第43-47页 |
| 3.2 Microdialogue | 第47-56页 |
| 3.2.1 The Opposite Consciousnesses in Characters? Dialogue | 第48-51页 |
| 3.2.2 The Conflicting Consciousnesses in Interior Monologue | 第51-56页 |
| Chapter 4 Cultural Polyphony | 第56-65页 |
| 4.1 Conflict and Fight | 第56-61页 |
| 4.2 Communication and Fusion | 第61-65页 |
| Conclusion | 第65-67页 |
| Bibliography | 第67-71页 |
| Acknowledgements | 第71-72页 |
| Resume of Supervisor | 第72-73页 |
| Resume of Author | 第73-74页 |
| Data of Dissertation | 第74页 |
