摘要 | 第1-7页 |
ABSTRACT | 第7-11页 |
Introduction | 第11-17页 |
Chapter 1 Game Spirit Theory in the Western World | 第17-25页 |
·Origin And Development of Game Spirit Theory in The Western Literary Criticism | 第17-19页 |
·Johan Huizinga and His Game Spirit Theory | 第19-23页 |
·Game Images in Look Back in Anger | 第23-25页 |
Chapter 2 Game Representation and Characterization in Look Back in Anger | 第25-44页 |
·Game Representation in Look Back in Anger | 第25-36页 |
·Game Scenes in Look Back in Anger | 第26-34页 |
·Impressive Symbolization of “Bear” and “Squirrel” | 第34-36页 |
·Game Spirit Reflected on the Main Characters | 第36-44页 |
·Jimmy’s Journey into the Fantastic World—Naivete in the Heart | 第36-40页 |
·Alison’s and Cliff’s Childlike Innocence | 第40-44页 |
Chapter 3 Game Spirit in the Composing Philosophy of Look Back in Anger | 第44-55页 |
·Innovative Writing Techniques | 第44-50页 |
·Inclination of Plebification | 第45-47页 |
·Colloquial Language | 第47-49页 |
·Sense of Humor and Irony | 第49-50页 |
·Seriousness of Game Spirit | 第50-55页 |
·Orders of Game | 第51-53页 |
·Pursuit of Freedom | 第53-55页 |
Chapter 4 John Osborne’s Summon for the Return of Game Spirit | 第55-63页 |
·Decay of Game Spirit Since Modern Britain | 第55-58页 |
·Tradition of Game Spirit Throughout British History | 第56-57页 |
·Game Spirit in the Industrial Civilization And Two World Wars | 第57-58页 |
·John Osborne’s Summon for the Return of Game Spirit | 第58-63页 |
·Awakening The Generation of “Angry Young Men” | 第59-61页 |
·Innovating British Drama And Theatre | 第61-63页 |
Conclusion | 第63-65页 |
Acknowledgements | 第65-66页 |
References | 第66-68页 |
Research Results Obtained During the Study for Master Degree | 第68-69页 |